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This most iconic
of solid-state
amplifiers is
still going strong
today, thanks in no
small part to the huge
list of star players who
have fallen for the Jazz
Chorus since it was first
launched back in 1975.
The JC-120 really hit
its straps in the 1980s,
when hitmakers from
all ends of the spectrum
relied on the amp’s
idiosyncratic, crystalline
cleans – from Andy
Summers and Robert
Smith to Kirk Hammett
and James Hetfield.
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Boss might not
have a huge
pedigree when it
comes to guitar
amps, but the Japanese
pedal giant has made up
for that in recent years
with its digital Katana
range. The variety and
quality of the Katanas’
sounds, combined
with their portability
and affordability, has
made the amps a hit
with guitarists of many
stripes, but this top-line
Artist model utilises
Waza Craft expertise
in the shape of the
12-inch Waza Craft
G12W speaker.
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Blackstar’s
ID:Core range
has become a go-
to for entry-level
players looking for great
tone and versatility on
a budget. The ID:Core
Stereo 100 takes the
smaller amps’ six built-
in voices, Super Wide
Stereo sound, digital
effects, deep editing
and patch storage via its
Insider software, USB
recording and reamping
- and puts it in a loud,
light and giggable
100-watt combo.
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Orange’s Crush
range represents
some of the best
bang-for-buck
fun in all of guitardom,
and over the years,
the Brit company has
continued to refine
and improve the line
to ensure the authentic
Orange experience isn’t
limited to classic looks.
The giggable 35RT is a
wonderful case in point
- offering classic British
rock tones, with its
built-in reverb and tuner
making it an even more
impressive proposition.
ROLAND JC-120
JAZZ CHORUS BOSS KATANA ARTIST
BLACKSTAR
ID:CORE STEREO 100
ORANGE CRUSH 35RT
THE RUNDOWN
TUBE-FREE TONE KINGS
WORDS JOSH GARDNER
Once upon a time, tube tone was all that mattered to guitar
players. But in 2019, there are many ways to sound great
without a glass bottle in sight, whether at home or on the stage...
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Marshall has
produced solid-
state and hybrid
amps consistently
over the decades, but
the amp giant took its
time getting into the
modelling game, not
testing the waters until
- When the CODE
series finally arrived, it
came with a selection
of classic Marshall
tones onboard and a
wonderfully simple,
user-friendly interface.
MARSHALL CODE 100
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