Classic Boat – June 2019

(Marcin) #1

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8 CLASSIC BOAT JUNE 2019


FARIDA


“I knew that I’d buy her even before I set foot on her.


I thought her shape and sheer were gorgeous,” said


Michael. “We’ve had some fantastic sails in her since.


The lovely thing about Farida is she’s heavy – and she’s


got this lovely, long keel, and is very well-balanced.”


A LABOUR OF LOVE


Current owner John Richardson has arrived at the


marina by this point, and without much ado – we’d


spoken at length about the boat previously, so weren’t


strangers to one another – we motored out into


Portsmouth harbour, where the summer holidays were


had started early. John, an experienced sailor with lots


of solo miles under his belt, was unruffled by the light


breeze, Force 3 at best, but it was no joke taking the


helm of a boat like this, shiny with new varnish,


vulnerable with prettiness and loaded with history, into


the busy shipping channel. Clearly, you don’t stuff a


thing like Farida into the path of an oncoming ferry.


We set off on a long, gentle port tack, the best we


could lay to try to clear Gilkicker Point, praying for


a little more wind to fill the sails and tilt the deck a bit


for the sake of photographer Lester, who was following


us in a RIB and driver, very kindly lent to us by Premier


Marinas. Behind us loomed a giant ferry bound for


the coast of France, while ahead on the starboard side,


a ferry bound from the Isle of Wight approached,


bellowing her horn in the sour, repetitive little


monologue that means, technically at least, “make


your intention clear”. For a moment, I assumed it was


for us, but it turned out to be some other poor fool


afloat on the busy, blue glittering sea that day. The


Portsmouth-Ryde hovercraft joined in the mêlée,


skimming past in a plume of spray and white noise,


and then we were free, out of the rush of the shipping


lanes, and close to the coast, unhindered by strife and


sailing in a relative sanctuary of peace and silence.


When John found Farida in 2012, he believed, on


Opposite,


clockwise from


top: The new


interior, showing


engine box with


built-in chart table;


the mostly original


cockpit; detail


of the butterfly


hatch; new,


manual windlass;


lifting forehatch


with the quality


touch of a


portlight


the strength of a survey, that he’d bought a sound boat,


with a corresponding price tag of £35,000 (see box p10).


Until, that is, he was sailing around the Portland Bill,


known for its fierce tidal race, en route from Yarmouth


to Brixham, a year after purchase. “She’s a wet boat


anyway, but water was pouring in through the


sheerplank. The jibsheet track had been pulled out


of the deck. Cleats were pinging out of the mast.


A second surveyor, and boatbuilder John Shaw of


JWS Marine, rebutted the first survey. The keel was


hanging on by just two bolts. At least 12 hull planks


were shot. Frames crumbled in the hand. Cast-iron


floors were not even through-bolted to the hull. Farida


needed serious work. “It’s frightening now to think of


her slamming her way around Portland Bill,” recalled


John, an ex-headmaster and experienced solo sailor


who clearly does not scare easily. He barely needed to


add the words “alone” and “at night” to induce a shiver.


The rebuild took six years in the end, but at least it


gave the chance for some revisions to the interior. It’s


still mostly original, but John has added some modern


touches to make it more liveable. The sole-to-deckhead


aft bulkheads have been cut back at chest height, the


lost strength replaced with vertical steel poles, the better


to gain a sense of space and to let light into the cabin.


The new 28hp Volvo Penta is positioned to give access


to the propshaft, with the chart table built into the


engine box top. Electrics and batteries are sited neatly


in a convenient spot above the engine.


The offset companionway that opens on the


starboard side led to “quite a wet situation” in terms


of the starboard quarter berth, so John had that moved


to the port side. The cockpit is still largely original,


notwithstanding a more modern instrument array and


placement. John clearly believes in the sensible practice


(at least on a yacht this size) of furnishing much of a


yacht’s interior down its centreline to avoid cramped


conditions, so similarly, the heads, which is in the

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