MASTERCLASS
FASHION
How do you capture a fi gure moving along a catwalk?
My trick is that the very fi rst head I draw will pair with a
look on a model who comes well after that, because you
have less than a minute to capture a fi gure. I tend to keep
the faces and hairstyles general, so no matter what outfi t
I draw, it marries easily with the person’s features.
What are your favoured art materials?
I use a variety of media and I don’t get too specifi c about
what I’m using. I would rather hold a paintbrush over a
pencil. Truth be told, I do not love sketching. My fi rst love
is – 100 per cent – painting.
Why did you set up your blog?
I started Travel Write Draw in September 2010, one
year shy of graduating from my fashion illustration AAS
degree at Fashion Institute of Technology. I had just
returned from Dubai, super-inspired and longing for a
space to share my illustrations.
You have more than 142,000 followers on Instagram.
How did you build this?
When there was just a handful of illustration blogs and
Instagram didn’t exist, I spent a great deal of time
engaging with other art bloggers. Then Instagram became
the dominant platform. I built up around 8,000 followers
and, in September of 2014, was featured as a suggested
user – my audience grew to 100,000 in three weeks.
What advice can you offer a fashion illustrator?
It is easy to cave under the pressures of social media,
press features and commissions, so it’s important to
know why you started so you can come back to that.
See more of Meagan’s art at http://www.travelwritedraw.
blogspot.co.uk; Instagram @travelwritedraw
•Take life-drawing classes – especially
fi gure-drawing – to get started. Having a real
handle on the human form is paramount.
•Share your process on Instagram – don’t be
afraid to put yourself out there.
•People connect with authenticity. If you
open up about your journey and share your
style as it is evolving, you will foster a
community of people who are invested in
you and your work.
•Embrace what makes you unique.
Mimicking someone else’s style will only get
you so far. You want people to recognise your
work as completely original, not a derivative
of someone else’s art.
Fashion illustrator Meagan Morrison has a host
of big-name clients including Dior and Harper’s
Bazaar. She shares her secrets to runway success
and building a presence online with Natalie Milner
Meagan
Morrison
FASHION ILLUSTRATION
MEAGAN’S TOP TIPS
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© MEAGAN MORRISON
36 Artists & Illustrators
Illustration.v6.indd 36 10/04/2017 12:25