discovery of perfection by human female/male
adaptive transformation.". This indeed is the main
focus of this work, as one can quickly notice that it
lacks any kind of narrative and the conceptual part is
considerably lesser than the visual one. This is the main
strength of the work, that despite using predominantly
traditional ways of depiction, reminiscent even of
Renaissance sketches in the way that the body is
treated it remains a contemporary body of work. That
is because the resulting artworks are remarkably self-
referring, to the point of rendering the viewer
completely devoid of emotional charge when
discovering the carefully positioned body parts and
thus the body itself becomes the theme rather than
the vehicle through which the idea is delivered. This
body of work is an excellent example of acontemporary revisionist's view on a subject which is
endless and always reappearing throughout the history
of art, the human body."Narratives, Passages, Perception," a collection of
artworks created entirely with the use of photographic“Noucentisme, First Form”, Photography, 36” X 48”
“Noucentisme, Tenth Form”, Photography, 36” X 48”“Noucentisme, Sixth Form”, Photography, 36” X 48”