The_Art_Newspaper_-_November_2016

(Michael S) #1

26 THE ART NEWSPAPER Number 284, November 2016


Museums United States


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The Oval Office, 1992
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BUILDING PROJECTS


Los Angeles. The Swiss architect Peter
Zumthor has revealed fresh details of
his plan to radically transform the Los
Angeles County Museum of Art (Lacma).
Zumthor spoke with Michael Govan,
Lacma’s director, at an event organ-
ised by Frieze magazine in London last
month. Some renderings he presented
were new to both the audience and
Govan himself, who quipped: “It was
good to see the updates.” The new-


look galleries will allow the museum
to present its encyclopaedic holdings
in an unconventional way, flouting
the traditional hierarchy of artefacts
and cultures. The museum has raised
$275m of the project’s $600m budget
to date.
Construction on the snaking, dra-
matic black structure is scheduled to
begin in late 2018. Four buildings on
Lacma’s campus will have to be demol-
ished to make way for the 368,000 sq. ft


Take a peek into Lacma’s future


Peter Zumthor’s ambitious design aims to eliminate traditional hierarchies and evoke “a walk in the woods”


LACMA: COURTESY OF LACMA/ATELIER PETER ZUMTHOR. ROTHKO: COURTESY OF VINCI HAMP ARCHITECTS/PORTLAND ART MUSEUM. SMITHSONIAN: COURTESY OF THE SMITHSONIAN INSTITUTION; PHOTO: ERIC LONG

Washington, DC. Efforts to establish a
branch of the Smithsonian Institution
dedicated to Latino culture are gaining
momentum after the successful opening
of the Smithsonian’s African Ameri-
can Museum of History and Culture
(NMAAHC) in Washington, DC. Biparti-
san legislation was reintroduced in Sep-
tember to create a permanent home for
the National Museum of the American
Latino in the US capital.
“There are some 57 million Latinos
who are essentially missing from the


National Mall,” says Xavier Becerra,
who co-sponsored the bill in the House
of Representatives, in a statement. Con-
gress had considered similar proposals
in 2011 and 2013, but failed to pass them
into law. The bill will need to be rein-
troduced yet again if it does not pass
before the newly elected Congress
begins in January.
In the meantime, the Smithsonian
Latino Center, which supports research
and professional development at the insti-
tution, plans to establish an expanded

presence on the Mall with a 4,500 sq. ft
multimedia exhibition gallery. The space
is due to open in 2018 in the Smithsoni-
an’s historic Arts and Industries building
(AIB), the same site proposed for the
Latino museum. A report published by
a government-appointed commission in
2011 outlined a plan to build an annexe
underneath the AIB to accommodate the
$600m, 360,000 sq. ft institution.
Advocates say there has never been
a better time to revisit the idea for a
national museum dedicated to Latino

The Portland Art Museum in Oregon is
to pay homage to hometown hero Mark
Rothko, who emigrated to the city from
Russia (now Latvia) as a child and had
his irst solo exhibition there in 1933.
The museum has revealed plans for the
Rothko Pavilion, a new building that will
link two existing spaces as part of a $50m
expansion, due to begin in 2018. After the
museum came up with the idea, Rothko’s
children agreed to lend one major work by
their father to the institution on a rotating
basis for the next 20 years. V.S.B.

Is a Latino museum next for the Smithsonian?


The Smithsonian’s Arts and Industries
Building, and Xavier Becerra

Renderings of the “meander gallery”, which will offer panoramic views of Los Angeles

A rendering of the planned pavilion

Rothko gets pavilion at
hometown museum

There should be no
white walls; Zumthor
prefers “monastic clay”

extension. Although low-slung compared
with other buildings on the city’s Wil-
shire Boulevard, Zumthor’s design will
be elevated above the street and Hancock
Park. The architect explained that “lifting
the building enlarges the park” and
creates a “typical LA foyer—outdoors”.
A vast, single-floor “meander gallery”
within the new building will ofer pan-
oramic views of the city, while eight
“chapel galleries” provide intimate
encounters with art. These spaces will
be surrounded by a cluster of small
“cabinet galleries”, designed for object-
rich, wunderkammer-style displays.
The experience of moving through
the new Lacma building, due to open
in 2023, should be “like a walk in the
woods, going from clearing to clear-
ing”, Zumthor said, urging minimal
signage and labelling. Govan and
Zumthor agreed there should be no
white walls; the architect prefers a
“monastic clay tone”.
The Lacma project is the realisation
of Govan’s long-held ambition to work
with Zumthor. He originally wanted
to hire the Swiss architect to design
an extension of Dia:Beacon in Beacon,
New York, where he served as the direc-
tor until 2006.
Javier Pes

history and culture. “After
the divisive and acrimoni-
ous presidential campaign,
the majority of Americans
will be looking for ways to heal
our wounds,” says the 2011 report’s co-
author Luis Cancel. “A national narrative
that recognises that Latinos and Spanish-
speaking Americans have been integral
parts of building the country can be a
positive step in that process.”
Charmaine Picard

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