Workshops
78 ........... Planning a superhero cover
Julian Totino Tedesco creates an image that’s both
appealing as an illustration and functional as a cover84 ..........How to paint a girl and her tank
Cartoonist Brett Parson presents his take on the iconic
Tank Girl, using SketchBook Pro and Photoshop88 .......... Comic book storytelling tips
Lewis LaRosa explains how to interpret scripts and lay
out pages to emphasise action and enhance narrative96 .......... Pencil and ink a game character
Andy Brase uses line and ink to depict a deadly
version of Ezio, the iconic killer from Assassin’s Creed II102 ..........Create a comic page in Clip Studio Paint
Favourite 2000 AD artist Dylan Teague explains his
process for creating a comic page in Clip Studio Paint106 .........Give Tintin the Fables treatment
Nimit Malavia combines traditional and digital media
to produce a fresh take on Tintin110 ...........Paint Hellboy caricature art
Jean-Baptiste Monge recreates a comic classic, with
a younger, cuter version of Mike Mignola’s Hellboy114 ........... New ways to watch the world
Learn through observation to create art that engages
viewers and carries a strong voice, says Somnath Pal120 .......... Bring colour to Black Panther
Ken Lashley’s stunning line art is brought to life by
colourist Juan Fernandez, who shares his techniques124 .......... Take your comics skills into films
Jim Cornish reveals how storyboards for sequences
in films, just like comics, interpret and visualise a script130 ......... Ink and colour a comic cover
Chris Visions shows how to compose an image, then
colour with both traditional inks and Photoshop136 ......... Create dynamic characters
Arthur Mask creates characters with different body
types tied together with coherent style and colour142 .......... Give Harley Quinn a realistic look
Learn how Admira Wijaya uses Photoshop to produce
a realistic portrait of the Joker’s unhinged admirer120
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How-to video
tutorials, custom
brushes and more!
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