The Professional Photoshop Book - Volume 7 2015

(Amelia) #1

20 tips for fl awless photo edits


The Professional Photoshop Book 39



  1. MAKE SURE YOUR WORKFLOW
    IS NON
    DESTRUCTIVE
    A good workflow is key for photo editing, especially in
    a professional studio environment, as Andy McIntosh
    from PSD Innovative (www.psdinnovative.com)
    explains: “A fully non-destructive workflow is essential
    for what we do. Everything we do is done in layers,
    which of course means very large files and huge
    amounts of RAM and storage space. A client may
    come back for a project that we have done six months
    or so ago, and ask for something to be changed or
    19. CUSTOMISE PHOTOSHOP FOR THE TASK
    Fashion photographer and retoucher Sabine
    Metz (www.sabinemetz.com) has found that
    learning how to customise your Photoshop
    workspace and tools makes it much easier to
    be fast and efficient in projects: “I’ve been
    really keen on improving my workflow
    efficiency. Not only by making the retouching
    process from import to export as streamlined
    as possible, but also by making my
    workspaces more suitable for what I want to
    achieve. A lot of people do use shortcuts, like
    B for Brush tool and J for Healing Brush tool.


Because I always use a Wacom when retouching, I
have my right hand on my Wacom, and my left hand
on my keyboard. All the shortcuts I use are by
default scattered all over my keyboard, which makes
having a Wacom to prevent strain on my right arm
redundant if my left hand is still reaching
everywhere. By using Edit>Keyboard Shortcuts I set
my shortcuts so that I have everything I use daily on
the left-hand side of my keyboard. Also, I’ve set the
interface colour back to good old CS5 grey. I find that
having the darker colour scheme around my image
clouds my judgment on contrast too much.”

added or just an element of that design to be used in
a new project. Without a non-destructive workflow
that could be problematic and time consuming.
Colour accuracy workflows are vital too; we calibrate
everything from our cameras (input devices) to our
Wacoms and Eizo monitors, and use the same
workflows for colour accuracy through all our
software. We use Prepress ISOs to ensure that we
don’t get any nasty surprises from printers!”

© Photography and retouching by Sabine Metz

© PSD Innovative 2015

030-039 Photo Editing Feature_PPB_07.indd 39 06/10/2015 16:05

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