B (184)

23

B+W

EXHIBITIONS

USA

ANDOVER

ADDISON GALLERY OF

AMERICAN ART

Until 31 July

Light/Dark, White/Black

• featuring Ray Metzker, Roy
  DeCarava, Sol LeWitt and Josef Albers
  andover.edu

CHICAGO

CATHERINE EDELMAN GALLERY

Until 3 July

Ysabel LeMay: Gracia

edelmangallery.com

DURHAM

CENTER FOR DOCUMENTARY

STUDIES

Until 18 April

Veiled Rebellion:

Women in Afghanistan

Photographs by Lynsey Addario

documentarystudies.duke.edu

CHRYSLER MUSEUM OF ART

Until 14 June

Shooting Lincoln

Featuring work from Mathew Brady

and Alexander Gardner

chrysler.org

FORT WORTH

AMON CARTER MUSEUM

Until 23 August

Like Father, Like Son:

Brett Weston and Edward Weston

cartermuseum.org

HOUSTON

CATHERINE COUTURIER GALLERY

Until 25 April

S Gayle Stevens

catherinecouturier.com

PORTLAND

BLUE SKY GALLERY

Until 31 April

Cheryle St Onge: 2014 Critical Mass

Exhibition Award, Natural Findings

blueskygallery.org

SAN FRANCISCO

DE YOUNG MUSEUM

Until 19 July

Janet Delaney: South Of Market

deyoung.famsf.org

All images © Keith Taylor

W

hile The Badlands

series stands out as

being unique in

subject matter for

Taylor, the thematic undertow of

his imagery remains consistent

with his first body of work in that

he has always been drawn to

mysterious and dark inclement

weather and thunderstorms along

with gothic horror. He admits, ‘It’s

probably rooted in me growing up

watching old black & white films

like Alfred Hitchcock’s Rebecca,

The 39 Steps, Brief Encounter

• any of those British films from
  the 1940s and 1950s when Britain
  was at its darkest.’
  Taylor shot The Badlands
  images with a Rolleiflex 2.8F or
  3.5F using Ilford Delta 400 which
  he rates at 200, then processes in
  PMK Pyro as he feels this
  developer ‘has the ability to hold
  subtle separation, especially in
  the highlights, while still
  retaining detail in the shadows.’
  The final platinum-palladium

prints are exquisite at 10x10in in

an edition of 15 plus proofs.

Currently Taylor is working on

another series in the Boreal forest

of Northern Minnesota using a

Mamiya 7. He plans to print the

pictures as small silver images.

keithtaylorphoto.com

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