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TECHNIQUE


All pictures © Lee Frost

HOW TO SHOOT WATER


From rivers to raindrops, water is a fascinating subject. But what


are the best ways to capture it in a photograph? Lee Frost


suggests 10 ways to maximise your liquid assets.


Whether it’s a river, a waterfall or the
sea washing against the shore, the most
common way to shoot moving water is with
a slow shutter speed, so it records as a
graceful blur.
With waterfalls, where the water is fast-
moving, an exposure time of 1/2 to 1sec is
usually long enough. You can expose for
longer, but if there’s a lot of water flowing,
such as a waterfall after heavy rain, you
may find that areas overexpose and record
as white (use your camera’s highlight
warning to check). If in doubt, try a range
of shutter speeds from 1/8sec to several
seconds then choose the best.
With the sea, the exposure you use
will depend on the type of scene you’re

photographing, the effect you want, and also
prevailing light levels. To record big waves
crashing against the shore, a shutter speed
of 1/2 to 1sec is again ideal as it will record
the explosion of water, whereas if you use
an exposure of several seconds that effect
will be lost. However, at dawn or dusk you
may have no choice but to use an exposure
of many seconds due to the low light level.
If that’s the case, don’t worry – the longer
the exposure, the smoother the effect will
be, turning the sea into an atmospheric mist
where waves wash against the shore.
If light levels are high and you can’t
manage a suitably slow shutter speed,
even with your lens set to its smallest
aperture (f/16 or f/22 usually), use an ND

filter to reduce the light entering the lens.
A 0.6 ND filter will increase the exposure by
two stops, so instead of using 1/8sec you
could set 1/2, for example, while a 0.9 ND
requires a three-stop exposure increase
and would allow you to use a shutter speed
of 1sec instead of 1/8sec.
To enhance the effect of blurred water,
include solid, static features in your
composition. Rocks in rivers and streams or
at the base of waterfalls are ideal because
the water flows around them and the
contrast between blurred and sharp looks
highly effective. The same applies with
coastal views – record the sea washing
around pebbles or boulders on the beach,
or partly-submerged rocks lying off-shore.

1 BLUR MOVING WATER


ISLE OF SKYE, SCOTLAND
I used a 0.6ND filter for this shot, to slow the shutter speed enough to blur the waterfall but still record texture in the water.
Canon EOS 5D MKII with 17-40mm lens, 0.6ND and 0.9ND hard grad, 1/2sec at f/16, ISO 100

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