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PHOTO PROJECT 20:
THE WALK
A
s photographers
we’ve been roaming
the streets,
countryside and
beyond since we can remember,
but rarely with a structured plan
to guide us or to tell us when to
stop. Walking, however, is a
fantastic way to generate
images if you’ve got the
explorer bug, and provides
natural closure to any project.
For this assignment we’re
going to devise and prepare
a walk that provides us with a
finite beginning and end, which
in turn will allow us maximum
creative licence in between.
For the outcome, we’re going
to consider how we can retell
our photographic story using
one of three possible forms:
the book, the audio slideshow
or the photoblog.
2 ALONG THE ESTUARY
Before the summer season kicks off, many of our most visited
locations are empty and ready to explore. Winter beaches provide
a fascinating territory for a project and when coupled with a
raking low-angle winter sun can show themselves in a completely
different light.
Visit a popular place and try to find another way of seeing it,
as in this example where the sand was covered in ice and frozen
water. Thomas Joshua Cooper’s epic photographs of Iceland are
well worth a look and although they go beyond most of our travel
destinations, provide a glimpse into a strange, unseen world.
Jim Rice’s gritty photobook, Deptford Creek, crystallised a lesser-
known area of London and the Thames estuary when it was
published back in 1993. Rice picked up on the historical backstory
of the area which established itself as Henry VIII’s royal dockyard
in 1513, finding it still richly textured but captured just before it was
about to change.
Seek out a lesser-known area of your local river and see if there’s
an untold story waiting to be found. In this example, low tide on
the river Camel reveals the tracks from a local sea-sand digging
business making spectacular marks in the mud.
If you’re keen on exploring the great outdoors, then why not devise a photo project
that you can work on at the same time? Tim Daly puts you through your paces.
All images © Tim Daly
SECTION 1: THEME IDEAS
Choose an idea and a territory that you have easy access to and consider your travel times to and from your likely
destinations. Don’t think too literally about keeping to a route; it can be as much about what you see off the beaten track too.
TECHNIQUE
1 OUT OF SEASON
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