57
B+W
TECHNIQUE
All pictures © Lee Frost
THAT SENSE
OF A PLACE
Capturing the character, mood
and feel of a location is the key
to successful travel photography
- and by converting your images
to black & white you’ll make a
true connection to the place.
Lee Frost explains his approach.
T
ravel photography, for me,
represents the ultimate challenge
- to go somewhere with a
camera and return with images
that get to the heart of a place in
such a way that anyone looking
at those images will get to feel like they
know it without ever leaving home.
As bizarre as it sounds, I find it easier to
achieve that when working in mono than
colour. Colour may be realistic, but it adds
a superficial layer of reality that encourages
no more than a cursory glance from the
viewer. Mono is different. Mono is about
mood and emotion. Colour tells the story
but mono allows the viewer to make up
their own, to use their imagination and read
between the lines. For me, that’s half the
battle won before I’ve even started.
The key to success when it comes to
capturing a sense of place is building a
strong relationship with your subject and
you can only do that by investing time and
effort. If you’re caring, compassionate
and patient that relationship will grow and
deepen like any love affair, but if you take
a casual and fleeting approach it will never
be anything more than a shallow fling that
ends as quickly as it began – and the
images you produce will reflect that.
HAVANA, CUBA A long lens is ideal for capturing
the sense of congestion in a busy street by
compressing perspective so the different
elements appear crowded together.
Canon EOS 5D MkIII with 70-200mm lens,
ISO 800, 1/250sec at f/4
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