Black_White_Photography_-_Winter_2014

(singke) #1
65
B+W

There’s a further way to convey the
concept of ruin – by choosing an
unconventional printing technique.
This example was created by
inkjet printing an image back to
front on the wrong side of
transparent OHP media. Before
the ink dried, the wet media was
placed on top of a sheet of inkjet
paper then transferred by using
a simple hand roller.
The resulting print is like a
vintage Polaroid transfer, full of
imperfections and irregularities
but with a bespoke, textured
and handmade feel.
The technique works best if
you use proper inkjet paper as the receiving media. Each print is
unique, so allow plenty of material to experiment.

INSPIRATIONAL BOOKS TO LOOK AT
Francesca Woodman: Notebook
Alec Soth: Sleeping by the Mississippi
Joef Sudek: Labyrinths
Eugène Atget: Photographe de Paris
Simon Marsden: In Ruins: The Once Great Houses of Ireland

If you’ve spent plenty of time researching and reflecting on your
chosen project, it can be a good idea to include this in your final
response. Accompanying text, be it in your own voice or the words
of others, can enrich the reader’s response to your work. Pick an
older book or album and remove the contents, then insert your
own prints and words. Photographer Francesca Woodman often
included handwritten elements in her work, together with scraps of
printed paper and ephemera, as found in a facsimile edition of her
Notebook. These vintage materials will also provide an interesting
textural element to your work.

SCRAPBOOK/SKETCHBOOK/JOURNAL


SEND US YOUR PICTURES
If you have been inspired by this photo project, then we want to see
your pictures. You could win a £100 voucher from Hahnemühle.
Send them to: Photo Projects, Black+White Photography,
GMC Publications Ltd, 86 High Street,
Lewes, East Sussex BN7 1XN.
Full submission details on page 2.

THE MANIPULATED PRINT


PROJECT OUTCOME
Aim to produce eight final images on your
chosen theme – this example was shot in and
around London’s Spitalfields area, a part of
town that’s been in constant change.

timdaly.com

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