Stamp & Coin Mart - April 2016_

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the ‘ecu’. These coins would be readily
seen in London as they were part of the
international currency of Europe.

Dutch coinage
Dutch coins, both silver and copper,
are referred to in Shakespeare’s plays.
In his day, Holland issued rijksdaaler
which were similar to the dalers already
mentioned. The guilder described in
some of the plays arrived much later,
towards the end of the 17th century, so
they may well have been inserted into
Shakespeare’s plays by later editors.
Doits are also given a mention.
The name ‘doit’ is Dutch slang for a
small coin, but again this term was
not used for a specific coin during
Shakespeare’s time. Again, doits tend
to be referred to more frequently in
Scotland where there was a traditional
shortage of small copper coins
meaning foreign copper coins were
often in circulation.
References are also made to
Portuguese coins such as the moidore
and the cruzado. The word ‘moidore’ is
a mixture of several Portuguese words
and means ‘golden money’. The term
‘cruzado’ referred specifically to the
cross which was an important feature
on many Portuguese coins.
The pistole mentioned by
Shakespeare was a Spanish coin. Apart
from trade they came to England
through the warlike activities of sea
captains such as Sir Francis Drake and
Walter Raleigh and to a lesser extent
the Spanish Armada. The pistole was a
gold coin, also called an escudo, which
gained the name ‘pistole’ from the
Chinese and other Far Eastern traders.

English coins
In Shakespeare’s time there were a wide
variety of English coins in circulation,
varying from countermarked Edward
VI shillings, marked down to four
pence halfpenny or two pence
farthing, to the new testerns released
for the East Indian trade. The size and
weight of the testerns matched the
lower value Spanish reales. Testerns are
also referred to as ‘portcullis money’
because of their design.
Shakespeare refers to the gold
pound and the gold angel in his plays.
The angel with its St Michael design
was equivalent to 10 shillings. He also
refers to crowns in the plays but these
were more likely to have been the new
silver crowns specifically produced to
be the equal of the continental thaler.
Producing these new silver crowns
marked a major departure for British
coinage as the crown had been struck
in gold at the start of Elizabeth’s
reign. The coins of James closely
mirrored the Elizabethan values so
Shakespeare could have been referring
to either version.
Most of the silver coins which belong
to these two reigns get a mention
with the notable exception of the
threepence, the threehalfpence and the
threefarthings. The threefarthings was
introduced by Elizabeth to cut out the
need for a tiny silver farthing.
Shakespeare does not mention the
half groat instead referring to it as the
two pence. The halfpenny gets into
Shakespeare’s plays but it was not in
general use until the reign of James I.
Considering the act of Union of
the Crowns in 1603, one might have

SHAKESPEARE’S COINS


November 1558 Elizabeth I crowned
as Queen of England
and Ireland

April 1 564 Shakespeare born

July 1567 James IV is crowned
as King of Scotland

1582 Shakespeare marries
Anne Hathaway

1585 Shakespeare moves
to London

1589 He writes his first play
Henry VI, Part One

c.1596 The Merchant of
Venice first performed

March 1603 Elizabeth I dies

July 1 603 James I (James IV in
Scotland) is crowned
in England

April 1616 Shakespeare dies

March 1625 James I dies

Ti me li n e


thought that Scottish coins would
be featured. However, at this period
Scottish coins were not very highly
regarded as the lack of precious metals
did not allow the Scottish government
to emulate the fine coins of their
continental trading partners. Indeed,
plenty of foreign coins of this period
were used in Scotland to provide high
quality coinage. The only coins that
seem to come south in large numbers
were the copper turners, 2d Scots but
a halfpence English. Not even in ‘the
Scottish play’ Macbeth are Scottish
coins given a mention; character Sueno,
for example, pays his men in dollars!
Certainly as a playwright of great
distinction and a wealthy landowner,
Shakespeare would have handled all
types of coinage of the period and
would have had a broad knowledge of
the many different coins coming his
way. No wonder the subject of money
was often reflected upon on the Bard’s
impressive canon of work.

‘He that wants money, means, and


content is without three good friends.’


As You Like It


Above: a daler/thaler
of Augustus Elector of
Saxony (1553-1586)

p134 Shakespeare.indd 135 01/03/2016 12:35

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