Advanced_Photoshop_Issue_136_-_2015_UK_

(Brent) #1

  1. ORGANISE YOUR
    PROJECTS
    As a busy art director and designer, Alexander Otto
    (www.alexanderotto.com) knows the importance of
    being organised to create an efficient workflow for his
    professional work. “With every new update of
    Photoshop, our lives as designers are made much
    easier than ever before. For example, with the help of
    Content-Aware, common tasks are happening
    almost automatically. If you look at the internet, there
    are thousands of free ready-to-go templates,
    mockups and plug-ins that make you produce work
    even faster,” he explains. “But for me, personally, I
    have noticed the biggest improvement after I
    organised and approached projects just a little bit
    differently to usual. It’s all about how you manage
    your time day-to-day and optimise your workflows.
    Break down your tasks for the day and what you
    want to accomplish. Then start with working on the
    biggest problems first.
    “For example, compare the sketch/concept version
    versus the final artwork that I did for Fotolia. In just a
    few hours I had put together a quick and rough version
    to see what works best. I played with the general mood
    and tone, tried many different compositions and
    thought about basic stuff like perspective and lightning.
    It’s important to distill down your ideas and then bring
    in elements that help you tell your story. I kept it all
    rough and dirty in the beginning, so I could easily jump
    around with ideas and things I wanted to explore.”


© Alexander Otto


  1. CLEAN BACKGROUNDS WITH SURFACE BLUR
    Graphic designer Harry Lee (www.harrydlee.com) explains how this handy filter can help quickly
    retouch product shots for use in commercial projects


Use the tool:“Select your
background by any means youlike–theQuickSelectiontool
would be my first choice – thenchoose Filter>Blur>Surface
Blur. The Radius will, of course,depend on the size of your
image,butyoucanaffordtobegenerous with it”

Why Surface Blur:
“Photoshop’s Surface Blur filter does a great job of
removing unwanted marks and softening the lighting,
but retaining gradients and shadow details, which
prevent the image from looking flat”

Other retouches: “I used a
Content Aware Fill in the corner and boosted the Levels before
applying the Surface Blur for a silky smooth background”

The goal:up backgrounds on product “I’ve found cleaning
shots to be a common, laborious task. I don’t often
have access to studio-quality lighting, but still want an
even, smooth background”

Photography: “This ice cream
was shot for a commissioned event poster. It was
photographed on coloured paper using just a mounted
flashgun and ambient lighting”


  1. LOCK THE TRANSPARENCY

  2. COPY CAMERA RAW SETTINGS IN BRIDGE


If your work involves digital painting, then you will
know how important it is to be precise – one wrong
stroke can hamper your workflow and take up
valuable time getting right. Graphic illusionist and
digital artist Valp, aka Maciej Hajnrich (www.valpnow.
com), has this simple solution to the problem, and it’s
hidden in your Layers palette: “Hit the slash key (/) or
click Lock Transparent Pixels’ in the Layers palette to
speed up your digital-painting process. This simple
trick allows you to paint only on the pixels that are on
your currently selected layer. First you set up a shape
for your layer – this can just be a doodle – and then, by
locking transparency, you can add details and be sure
not to paint outside of [the] selected layer.”

If you work a lot with RAW files, then you most
likely spend a lot of time processing your images in
Adobe Camera Raw before you even enter
Photoshop. When you open an image from Bridge
CC in Adobe Camera Raw, you can make as many
tweaks as you like and these are saved back to the
file in Bridge. Images that have been processed in
ACR have a symbol next to them in Bridge. When

After Before

you have your next batch of images, you might
want to make the exact same edits in ACR as you
did with a previous image. Luckily, you can copy
and apply the ACR settings to save time. Ctrl/
right-click on the original image and choose
Develop Settings>Copy Settings. Select your new
image (or even multiple new images) and do the
same, but choose Paste Settings instead.

© Harry Lee 2015


© Valp
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