The Artist_s Magazine 2016-03__

(avery) #1

See your work in The Artist’s Magazine!


EARLY-BIRD DEADLINE: APRIL 1, 2016


$24,000 IN CASH AND PRIZES!


Compete and Win in 5 Categories!


PORTRAIT/FIGURE t LANDSCAPE t STILL LIFE/INTERIOR t ANIMAL/WILDLIFE t ABSTRACT/EXPERIMENTAL


Jurors: Candice Bohannon, Duane Wakeham, Olga Antonova, David N. Kitler and Donna Watson


For complete prizes, guidelines and to enter online, visit


artistsnetwork.com/the-artists-magazine-annual-competition


Winners will be featured


in the Jan/Feb 2017 issue


of The Artist’s Magazine.


Student winners will be


featured in the December


2016 issue.


Nine finalists will be show-


cased in the magazine’s


Competition Spotlight


feature. Let fans of your


work learn a bit more about


you—and your inspiration.


Twelve finalists will be


featured as Artist of the


Month on our website, which


attracts hundreds of thousands


of visits per year—more eyes


on your work!


competition spotlight

I STUDIED FINE ARTUniversity’s Ruskin School of Art, at Oxford
but my actual career began in theilm and television business, work
ing my way up and producing manyTV commercials In 2002, I realized
howmuchImissedcreatingmyown

art and jumped at the chance to get back to painting.
clothes act as metaphors. hI’m fascinated by the way e way
they’re hung or cast of hints at stories and relationships. I’d been
thinking about men’s shirts of mixedcolors, which might suggest some
one’s planning an evening out heireplace is a rather austere spot in
our old farmhouse, and the mantel

with pencil directlyI sketched
onto the canvasand lightly painted
in the key outlines with a cool brown.
I blocked in all the shapes in mono-
chrome to establish the tonal range, then
worked up each block in color. I use
Michael Harding oil paint, initially
diluted with tur-pentine, and then as
the layers begin to build, my preferred
medium is Liquin. I worked across the
left and then worked across again, canvas from right to
building up the detail. Depicting fabric is always a challenge, but
working over all the creases and folds is totally absorbing. Like life
models, clothing is more interesting with wrinkles and imperfections
with me a love of lighting and of artFrom ilmmaking, I brought
directing scenes to tell small storieshe elements are never just found

The Artist’s Magazine’s^2014
ANNUALART COMPETITION
Finalist

Learn MoreONLINEe

Andrew McNeile Jones
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LEFT: You Up Inside My I Think I Made
Head 232 ⁄ 3 x31½ (oil on canvas, ) by Andrew
McNeile Jones

Forest Encountert(FPSHF4IJQQFSMFZ PJMQBTUFM
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The Great Escapet/BODJF,JOH.FSU[
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YOUR ART IN PRINT YO S I I S PAGES YOUR WORK ONLINE

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