road test
March 2016 65
Inspire800 projector to transpose the
essence of my complicated sketch onto
a full sheet of watercolor paper. By
projecting the image I was able to retain
the proportion, placement and delicate
balance of the shapes I had created in
my original drawing. I wanted to keep as
much of the spirit of the sketch as I could
so I chose to keep the drawing simple to
allow for spontaneity during the painting
process. The projected image was razor
sharp, and I could have captured much
more specifi c detail if I'd needed to.
- Inspire800 in action, adding
fi gure to drawing
Once I completed the initial sketch, I
added the fi gure for scale and to build a
center of interest. I was careful to keep
the eyes of the fi gure on the horizon line
of the composition as I moved the pro-
jector forward or backward to establish
scale until I found the perfect spot. I
drew the fi gure with more attention to
specifi c details—mainly the folds and
shadows in the clothing. After all, the
subject is the star of the show.
- Village Study #2 (completed
painting)
I think the fi nished painting, Village
Study #2 (watercolor on Arches 140-lb.
cold-pressed paper, 22½x28) is true
to the mood and spirit of the original
sketches. I used the projector to achieve
a credible translation of my drawings
rather than as a drawing shortcut, and
I’m happy with the results. In this case,
the Artograph Inspire800 was the
perfect tool for the job.
as a time saver in enlarging draw-
ings and as a shortcut in recording
very specii c details that need to be
accurate. h e Inspire800 could also
be useful in developing the composi-
tion of a painting. It of ers several
projected grids which could help
with layout. It can also be helpful
in the placement of images from
diverse sources. (See Developing a
Composition, below).
In Summary
he combination of the Inspire800
projector’s ease of use as a drawing
tool, the "slide show" option for public
presentations and the small portable
size make the Artograph Inspire800 a
great addition to any studio. ■
JOHN SALMINEN’s Crossing Broadway won
the Daniel Smith award at the Shenzhen
International Watercolour Biennial 2015. Visit
his website at johnsalminen.com.
BELOW: Village
Study #2,
(watercolor on
paper, 22½x28)
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