Advanced_Photoshop_Issue_139_-_2015_UK_

(Barry) #1

TECHNIQUES 20 EXPERT TIPS FOR VECTORS



  1. COMBINE DIGITAL PAINTING
    WITH VECTORS
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01


DESIGN THE VECTOR ELEMENTS
“I create my design in Illustrator, as it’s easier
for me to build complex geometric shapes. I use rotation
or symmetry to create my design and keep the layers
simple. As many shapes are grouped in a few layers, it’s
[easier] to manage and import in Photoshop.”

02


PHOTOSHOP TEXTURE EFFECT
“I isolate my vector shape and paste it into a
new file. I use Image>Mode>Grayscale and add
contrast, then Image>Mode>Bitmap (300 Pixels/Inch,
Method: Halftone Screen). On the next screen, I use
Frequency: 15-30, Angle: 45° and Shape: Round. I
paste my halftone on my colour design and play with
layer blending modes, like Multiply.”

03


CREATE A TEXTURED BACKGROUND
“Here, I’m adding textures comprised of
photos and also adding some light effects to the eyes
of the bat using soft brushes, with the layer blending
mode set to Lighten. My goal is to [contrast] the
clean aspect of the Illustrator shapes, with some
textures and brushstrokes using Photoshop.”


  1. WORK BETWEEN ILLUSTRATOR
    AND PHOTOSHOP
    If you have Creative Cloud, then you have access to
    both Illustrator and Photoshop. In the latest
    versions, the two programs work together
    seamlessly and they have also closed the learning
    gap, by ensuring that if you know one program, you
    can pick up the other due to similar interfaces and
    tools. We recommend that if you’re unsure with
    Illustrator, you spend some time getting to know it,
    as it can be used to enhance your Photoshop work.
    “Photoshop is the perfect companion to Illustrator,”
    says freelance designer and illustrator Michael
    Lester (www.michaelwilliamlester.com). “From a
    technical point of view, it allows you to get your
    illustrations print and web ready, while from an
    artistic point of view it gives you the ability to explore


hand-finished touches while retaining the edibility of
your vectors. Vector Smart Objects in Photoshop are
integral to my workflow allowing me to edit my
individual vectors in Illustrator while preserving the
composition in Photoshop.”

Think about structure:TOSTRIKEABALANCEBETWEENTHEVISUALSANDTEXTWITHOUTSomepagesinyourdesignwillhave
BREAKING THE CONTINUITY THAT YOU HAVE ALREADY ESTABLISHED‚7HENYOUGENERATETHEPAGESWITHMORETEXT ALSODESIGNA
NUMBEROFVECTOR5)ELEMENTSTOCONTAINTHEPARAGRAPHS4OEACHOFTHESE;ELEMENTS= )ADDASTYLETHATBALANCESBETWEEN
COLOURANDTHICKNESS AND)WILLRE
USETHESEINOTHERSCREENS4HIS IS IMPORTANT TO MAINTAIN A HOMOGENEOUS STRUCTUREƒ

Consider navigation:NAVIGABLE WHICH IS IMPORTANT TO KEEP IN MIND WHENA website interface needs to be
DESIGNING THE DIFFERENT ELEMENTS OF YOUR LAYOUT ‚) OFTENCOMBINECOLOURSINUSERINTERFACEELEMENTS ASTHISCAN
GREATLYHELPIDENTIFYTHEUSER…SNAVIGATION5SINGASIMPLERHOMBUS THIS SCREEN IS WHERE THE USER CAN NAVIGATE
AROUND THE INTERACTIVE MAP !LL THESE ELEMENTS AND FORMSWERECREATEDIN0HOTOSHOP ANDTHEICONSARECREATED
WITHIN )LLUSTRATORƒ

Basic shape tools:‚5SUALLYTOCREATEANENTIRE5)OR
WEBSITE )WORKWITHBASICGEOMETRICSHAPESIN0HOTOSHOP SQUARES CIRCLES TRIANGLES AND WILL MODIFY
THEMACCORDINGTOMYIDEA7HENITCOMESTOMORECOMPLEXSHAPES THE0ENTOOLALSOHELPSTODRAWSUCH
LINES BUT ;AT THIS POINT= ) USUALLY COME INTO )LLUSTRATORand [design] the iconography of the site and combine it
WITH0HOTOSHOPELEMENTS4HESETWOTOOLSCOMPLEMENTEACH OTHER PERFECTLYƒ

Keepitclean:It is easy to overpower designs with too
MANYVECTORELEMENTS BUTTHISCANMAKEITHARDERTOGETAROUNDAWEBSITE‚)TISALSOIMPORTANTTODESIGNACLEAN
INTERFACE WITHOUT DISTRACTIONS -Y STYLE IS USUALLY MINIMAL so I use spot colour combined with fine lines [to achieve
THIS=)NTHISSCREENSHOT YOUCANSEETHESILHOUETTEOFTHEUSER CREATEDWITHASIMPLELAYOUTIN0HOTOSHOPƒ


  1. DESIGN A WEBSITE
    WITH VECTOR ELEMENTS


© Ladislas Chachignot 2015

© Owi Sixseven

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