It is important that I don‘t get bogged down
in describing everything with too much detail.
Some artistic licence can be useful in pushing
a tonal contrast perhaps, that helps to describe
a shape through what is revealed by what is
placed behind it.
I begin to add indications of the doors and
windows and darker shadows of the overhanging
roof. Over the two or so hours that I have been
painting, the texture of paint applied has naturally
formed to create surface interest which I use
to further explore relationships of colour and
movement, pushing and pulling back to realism
by redrawing in paint.
The pa inting afte r
around two hours
of work
Step 13
Neil Pinkett teaches a three-day ‘Landscape with
Oils’ course for Newlyn School of Art on the dramatic
coastline around West Cornwall. Dates for this course,
which costs £250 including all materials, are 4th to 6th
April, 13th to 15th June and 8th to 10th August, 2016.
The course is aimed at helping students to
understand how to work outdoors in oils without
losing sight of the fundamentals of painting through
composition, tone and colour. Neil is a master with
the palette knife and this course gives opportunity for
both demonstrations from the artist with palette knife
and brush techniques and lots of hands-on painting
time, out in the dramatic Cornish coastline.
MORE INFORMATION
http://www.newlynartschool.co.uk
or call 01736 365557
Neil Pinkett
Step 14
ARTWORK:
HARBOUR, CORNWALL
ARTWORK:
QUAYSIDE, CORNWALL
ARTWORK:
HARBOUR, CORNWALL
ARTWORK:
MOUSEHOLE, CORNWALL
Oils with a palette knife