Simon Hantaï’s folding method,
unexpectedly lurking, insisting
on their complexity. Crossing
made me think of Gill Scott
Heron – The revolution will not
be televised. And again, without
pretence, Abramsky-Arazi
allows the audience a choice.
Do you want to see the depths
or would you rather remain with
the first, second or third layer?
This choice seems lacking of
judgment, yet, interestingly, the
deeper I explored and the more
complexity I allowed for, the
easier my breathing became.
What Abramsky-Arazi does on
the personal level, German artist
Annique Delphine achieves
with the socio-political. Her
works deconstruct social norms
about desire and objectification,
sensuality and romanticism,
Tron, by Lilac Abramsky-Arazi,
Acrylic on canvas, 70x90, 2014
Crossing, by Lilac-Abramsky-
Arazi, Acrylic on canvas,
115x62, 2015