TheArtistApril2016__

(Ron) #1
YOU WILL NEED
 14 10in (35.525.5cm) sheet of acrylic paper
Scalpel; No. 4 flat brush; palette knife; printed
collage material; glue stick; old credit card;
sponge; small piece of mount card.
Acrylic paint: titanium white, phthalo blue,
ultramarine, burnt sienna, cadmium red,
cadmium yellow.

STAGE THREE 
Have a rummage in your recycling box to find a small piece of
corrugated cardboard and, when ready, simply paint your dark colour
onto the ridged side of the card. This will act as a stamp to create
rough and indistinct lines on the vertical buildings. Extra dark paint
can be added using the edge of a piece of mount board or any firm
card. Dragging the card across the painting surface will provide
beautifully textured results. As you can see on the illustration, the dark
verticals in the buildings are reflected in the wet street

STAGE ONE 
Feel free to use my drawing or photograph for reference, or why not
try an image of your local city or town? The process and techniques
described will work for any urban landscape

60-minute


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http://www.painters-online.co.uk artistApril 2016 27


STAGE TWO 
Mix a rich dark shade using a 50/50 mix of blue and a brown. I used
burnt sienna and phthalo blue but any brown and blue will work in a
similar way. Water your mix down to the consistency of skimmed milk
and apply with a sponge using confident downward strokes over both
sets of buildings

STAGE FOUR 
Using the mount card, drag shadows down, over and behind the car
shapes on the left-hand side. Adding a touch of titanium white to our
dark mix gives us subtle petrol greys, and we can vary the lightness
and intensity of the greys by using more or less white in the mix. Use a
brush to add a few darker areas to the buildings. You really don't need
to be precise with your brushwork in this instance as atmosphere is
more important than accuracy. Adding a touch of ultramarine to the
mix gives a blue-grey that is perfect for our distant buildings

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