Art_Africa_2016_03_

(C. Jardin) #1
ARTAFRICA

a well-deserved homage (the exhibition was already underway at the news of his untimely
death), but he and Sammy Baloji are far from being enough to get a grasp of what is
happening in the Congo right now. It was in the ‘Soirées Nomades,’ mostly strong yet
unequal in their programming, that one could somehow get in touch with an updated view
of Congolese art and hear alternative, insightful voices on contemporary African artistic
practice. The guests included various collectives, singers, musicians, choreographers, and
even the South African Chimurenga’s Pan African Space Station.
This exhibition made me miss one of the Foundation’s historical strengths: a certain
ability to push beyond the expected. Since 1984, the Fondation Cartier has been a
pioneering institution in the field of contemporary arts. Sarah Sze, who represented the
United States with her ‘Triple Point’ series at the Venice Biennale in 2013, was exhibited
at the Foundation as early as 1999. In an interview with RUKH, an independent quarterly
devoted to culture, art and society in the Arab world, Grazia Quaroni, one of the head
curators at Fondation Cartier, was asked to define the values of the Foundation:

“...‘Curiosity’ is a word that describes the spirit of the Fondation Cartier for projects
that revolve around mathematics, film, fashion, rock’n’roll or design. We are a foundation
dedicated to contemporary art in its broadest sense. We must be curious of everything.”
Let us hope to find some of that curiosity again.

Olivia Anani is a writer, cultural advisor and auction specialist based in Paris, with
a background in Asian studies and contemporary art. Born in Ivory Coast, she
speaks fluent Mandarin and works with a focus on Africa/Asia relations, cultural
mobility and fluid identities. She is the founder of the Fast Forward project (2014)
in Beijing.

‘Beauté Congo – 1926-2015 – Congo Kitoko’ ran from 11 July 2015 – 10 January 2016 at
Fondation Cartier pour l’art contemporain, Paris, France.

BEAUTÉ CONGO / OLIVIA ANANI 5/5


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