76 art ltd - March / April 2016:pulse
MAR 3 – APR 2
WHAT:Victor Hugo Zayas
in "El Rio" features paint-
ings from his “L.A. River”
series which document
the changing landscape
of the L.A. River over a
period of 30 years plus
the “Grid” series which
addresses the intercon-
nection among people
and the overlapping paths
that remain behind
like scent trails.
WHERE:Abmeyer + Wood
Fine Art, Seattle
INFO:
http://www.abmeyerwood.comTHRU APR 23
WHAT:A trio of exhibitions featuring works by renowned figura-
tive artist Alex Katz: "Present Tense," a survey of sixty years of
master drawings on view at Richard Gray Gallery in Chicago
and New York, as well as The Metropolitan Museum of Art,
New York (thru Jun 26).
WHERE:Richard Gray Gallery, Chicago/New York
INFO:www.richardgraygallery.comTHRU MARCH
WHAT:“Bones: New Works
by Ralph Ziman”
Ziman’s second solo exhibition with the
gallery, Bones will feature a series of
photographs and sculptures that directly
respond to the current state of trophy
hunting in South Africa and the resultant
commercial exchange that occurs
between South Africa and America.
WHERE:C.A.V.E. Gallery, Venice, CA
INFO:www.cavegallery.netAPR 17 – AUG 28
WHAT:“Puja and Piety: Hindu, Jain,
and Buddhist Art from the Indian Sub-
continent” is the first exhibition
in North America to celebrate
the diversity of South Asian art
by examining the relationship be-
tween aesthetic expression and
the devotional practice, or puja,
in the three native religions of
the Indian subcontinent. Drawn
primarily from SBMA’s perma-
nent collection and augmented
by loans from regional, private
lenders, the exhibition presents
more than 160 objects of diverse
medium created over the past
two millennia for temples,
home worship, festivals,
and roadside shrines.
WHERE:Santa Barbara
Museum of Art
INFO:www.sbma.net
MAR 3 – APR 16
WHAT:SLATE contemporary gallery may
be best known for colorful abstract expres-
sionism, but its “minimal” exhibition is an
expression of an expansive sense of time
and space. It is challenging too because
we are so used to the constant onslaught of
stimulating images that we are ill-equipped
to simply stand in front of a white picture
and wait to see what emerges. Works by
Edith Bresnahan, Jane Grimm, Sylvia Poloto,
Tressa Pack, and Lucky Rapp present shifts
in tone that are so subtle that they can only
be seen, much less appreciated, in person
by standing in front of the art object.
WHERE:SLATE contemporary, Oakland
INFO:www.slatecontemporary.com