Ask Uncle
Ronnie
Is Editing Justifiable?
Is it justifiable to edit/manipulate
files to enhance saturation or
contrast of pictures sent to any
photo contest? If yes, then how can
the credit go to the photographer
for the vibrant or excellent image?
I think the credit should go to the
editing tool. Yet, if it is necessary to
edit an image, what should be the
limit of editing? Please clarify.
Rajesh Mondal
Note: The query has been re-worded
by us. Such queries have been
answered in the past too.
While I welcome your query, I can
see that you are against any editing/
manipulation. No problem; to each his
own! But please, with an open mind,
try to understand what I have to say.
- You are photographing a landscape.
With your eyes you see the vast vista
before you – may be, for example, 1
mile across. You then decide your focal
length. The focal length of your lens
decides how much of the scene will be
captured. You then decide a position
from where you will take the picture.
You also decide whether you will
photograph the scene from your eye-
level or ground-level or from the top
of a near-by hillock. Just think about
it – are you not manipulating? Are you
not telling the viewers that while I see
the vast scene before me (from my eye
level), I want you to see only the area
that I have decided upon by choosing
my focal length and only from my
point of view?
The very act of choosing a focal length
is a form of manipulation!
- Now your point about the question
of credibility if the saturation or
contrast is adjusted. Well, you may
choose not to enhance the saturation
and/or contrast; the choice is yours.
But I assure you, your pictures will
most likely be without any ‘punch’.
There is a technical reason why
we need to enhance the saturation
and contrast (as well as some other
parameters). Ideally, you are supposed
to shoot in Raw. When you shoot in
Raw, the parameters that you have set
in your camera (such as saturation,
contrast, White Balance, sharpness)
are not applied to the image. This
causes the image to appear ‘flat’
(lacking in contrast/saturation).
Even if we shoot only in JPEG, we
always set our cameras to ‘low’
contrast, ‘low’ saturation, ‘low’
sharpness (if you don’t, you risk
overexposed highlights, clogged
shadows and jagged-looking edges).
These parameters are then adjusted
on the computer to our liking. (see
picture above)
Ask your question to Uncle at [email protected]
Also keep in mind that no camera can
record exactly what our eyes see.
- About “the credit should go to the
editing tool”. Tell me, when you take
a good photo, do you give the credit
to your camera? Cameras don’t take
pictures by themselves; we do. The
more complicated the ‘tool’, the more
we need to study and know how to
operate it. It is human intelligence that
eventually gets the credit. - The limits for editing? The sky is the
limit. But first read and understand
this. If you are a documentary/
sports photographer or a scientific
photographer, please refrain from
doing any editing. Your duty is to
‘record’ exactly what is happening
before you. You cannot say that you
are “creating a work of art”. But if you
are not in the above list, and if you
consider photography as an art form,
then you can do whatever editing
you like. But here too, there can be a
limit. Let us say that you are a wildlife
By default, contrast,
saturation and colour tone
are set to zero. You can also
set the sharpness to a
lower value.
50 http://www.smartphotography.in
Smart Photography January 2016