Artists_amp_amp_Illustrators__July_2016_

(ff) #1
50 Artists & Illustrators

5 EXPECT AN UNEVEN SURFACE

Now the aubergine is also ‘going over’ from
sopping wet to damp, I add its stalk too. Your
painting will dry unevenly, meaning that some
parts still bleed into the newly painted area
while others keep their definition. You can
see this here, where the top side of the calyx
is defined and the bottom flows into the
purple of the aubergine body.

8 FLOODING THE ELEMENTS

I add the deeper tone to the lemon where it
meets the chilli, and because this top edge is
still wet, there is bleed from yellow into red.
The wetter paint will flood into the less wet
paint, and I like the addition of yellow to the
red chilli. I decide to flood the lemon with wet
pigment at its top edge too at the risk of
more bleeding into the aubergine; I want it to
look as saturated and ‘lemony’ as possible.

6 CONTROL THE BLEED

Areas of the aubergine and the chilli are
now beginning to dry out, (you’re looking
for a ‘sheen’ not a ‘shine’ as explained in
step 4) and dropping water in creates more
‘controlled’ bleeds. The bleeds don’t travel
as far and push the paint away from the
areas that water is added to, creating
lovely textures as they go.

7 LET YOUR COLOURS MEET

At this stage, the bottom edge of the
aubergine, where it meets the lemon, has
begun to dry somewhat unevenly as some
areas were wetter than others. I’m unwilling
to wait until it’s completely dry as I do want a
little bit of bleed between these two
elements. Using Hansa Yellow, I paint in the
lemon. You can see that where the aubergine
is still wet, it starts to bleed into the yellow.

4 ASSESS THE DAMPNESS

I introduce water with the dropper bottle
along the top edge of the chilli to add some
lighter areas, and I paint in the green stalk
when the paper has gone from being a
puddle to ‘pretty damp’. The dampness you’re
looking for at this stage is a soft sheen,
rather than a shiny puddle. As red and green
are so close in tone, I tend not to worry about
some bleed going on between them.

48 Masterclass.indd 50 10/05/2016 15:00

Free download pdf