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(C. Jardin) #1

DECEMBER 2016 9


ephemera fi les that are orga-


nized by artists’ names and


exhibition spaces.


The Print Collection


encompasses over 200,


prints, along with a special-


ized reference collection


on the history of prints and


printmakers; the Photography


Collection includes examples


of almost every photographic


process from the earliest


daguerreotypes to contempo-


rary digital images.


TAM: What about special


exhibitions?


NYPL: “A Curious Hand:


The Prints of Henri Charles


Guerard (1846-1897),” orga-


nized by Curator of Prints


Madeleine Viljoen, will be on


view through February 26th.


Previously, “Embracing


Chaos: Dada, 100 Years Later”


was on display with materials


from the Spencer Collection


and Photography Collection.


It showcased the Library’s


collections of Dada expressed


in visual and literary form,


including works by Tristan


Tzara, Marcel Duchamp, Man


Ray, Hugo Ball, Tomoyoshi


Murayama and Serge


Charchoune, among others.


TAM: Are there any other


must-see library systems with


exceptional art collections?


NYPL: The Boston Public


Library (BPL) has a John


Singer Sargent mural cycle


titled Triumph of Religion


throughout the entire


hall in the Library build-


ing, depicting stories of


Christianity and Judaism.


BPL also has an impressive


Fine Arts Department with


noncirculating resources.


ONE MAN’S TRASH


IS ANOTHER’S


PUBLIC ART PIECE


Jean Shin used recycled rebar in
Seattle to create a sculpture inside
one of the city’s dumpsites.

When Seattle’s North Transfer


Station was being renovated,


10,000 feet of rebar was care-


fully set aside for sculptor Jean


Shin—an artist familiar with


reusing unwanted materials.


With it, she bent and molded the


bars into shapes that represent


the topography of the site before


the dumpsite was built. The


work not only pays homage to


the natural landscape but also


does it some good by reusing


materials that may have other-


wise been simply transferred


to another heap. The public art


will help enliven the space as it’s


still being transformed into a


playground for adults and chil-


dren alike, including the instal-


lation of a play area, sports


court, walkways and more art!


SPOTTED ONLINE The Museum of Modern Art published a blog


post by Thomas J. Lax titled, “How Do Black Lives Matter in MoMA’s


Collection?” Read the full post and see some of MoMA’s famous


artworks on this subject at bit.ly/momablm.


COURTESY OF THE OFFICE OF ART & CULTURE

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