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(C. Jardin) #1

Acrylic Four Ways


An artist takes a spin with Liquitex Professional Acrylic INK!, Professional Paint


Markers, Professional Heavy Body Acrylic Paint and Professional Spray Paint.


Liquitex sent me Professional


Acrylic INK!, Professional Paint


Markers, Professional Heavy Body


Acrylic Paint, and if that weren’t


enough—the Liquitex Professional


Spray Paint. I have used, in the past,


the Liquitex Professional Heavy Body


Acrylic Paint for special purposes


(sometimes as an addition to my


normal split-primary palette), so I’m


familiar with light blue permanent,


medium magenta and light blue vio-


let. I’ve found the consistency (heavy


butter), the pigment load (high), and


the handling characterisitics to be


fi rst class. A stroke made with the


Professional Heavy Body Acrylic


Paint retains its integrity as it dries,


but it’s not so heavy that it comes off


the brush in clumps.


MAKING A MARK WITH INK


AND MARKERS


Th e ink Liquitex sent me was intense


and transparent. Ink, even pigmented


ink, is not a medium I use. Without


knowing the retail cost, it would


seem to me that a fl uid acrylic would


be a more economical choice in terms


of the actual amount of product you’d


use. If you, however, were creat-


ing small works, then I think the


Liquitex Professional Acrylic INK!


would serve very well. For my test I


used the pigmented ink on top of the


dark red on a current painting (see


page 30). As you can see, the green


pigmented ink retained its intensity


very well.


I had a super time using the


Professional Paint Markers. After


loading the nibs, I used both the


wide and small ones to apply lines to


my work in what was for me a more


direct way of drawing than using


ALTHOUGH I WORKED FOR MANY YEARS in transpar-


ent watercolor, about half the work I now do involves


acrylic paint in some form. I love the versatility of the


application (from a thin wash to heavy impasto), and I


use some of the many additives that are available that


change the paint’s consistency and handling character-


isitics. After all, as artists, we use what we like and like


what works. I compared the acrylics that the Liquitex


company sent me with the Holbein, Golden and


M.Graham acrylics that I usually use.


Road Test


By Mark Mehaffey


ABOVE: Summer
Beginning (acrylic
on panel, 12x9)
started with the
spray-painted
underpainting on
page 32.

28 artistsmagazine.com


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