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(C. Jardin) #1

ADVICE FROM


KATHERINE CHANG LIU


Never feel precious about your


work.


Be peerless. Pay attention


to your own mind. Generate


your own ideas. Don’t keep


other artists’ work around for


reference or inspiration.


Your work is a refl ection of


who you are. Consider it your


“self-portrait.”


Art is about growth. You


should be constantly striving


to grow, evolve and improve.


Learn to appreciate the variety


and creativity of other artists


without judgment.


Look more deeply at other art-


ists’ work, beyond the surface.


Instead of inquiring about


medium or technique, study


the work for what it has to say,


for what the artist is trying to


achieve.


Put Post-it notes on your


painting with comments at the


end of the day. The notes will


provide a starting point when


you return to the studio the


next day.


When you do a series (20


pieces, at a minimum), the


fi rst fi ve are the easiest.


Beginning around number


six, the real work begins,


when your imagination is put


to work.


On the “left brain versus


right brain” question: Every


decision you make as an art-


ist is a combination of “left


brain” (analytical, systematic,


orderly) skills—what colors


to choose, for example—and


“right brain” (intuitive, instinc-


tual, subconscious) abilities—


how to use those colors.


LEFT: Katherine with students
(clockwise): Catherine Maunsell;
Barbara Kellogg, B.J. Arnold,
Joyce Homan, Everett Webber.

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