2iefh7kgbjd0a6c

(C. Jardin) #1

ANNUAL STUDENT COMPETITION


section-by-section to focus


on details; continual layering


and burnishing of the color


helped to bring out an overall


heightened tonality. The white


highlights can be attributed


to the use of a Gelly Roll


pen, which stuck to the waxy


colored surface quite well.


An underlayer of black ink


created the opaque black


background. I used a Faber


Castell India Ink marker, and


then a black colored pencil


fi nish. The piece all in all took


around 120 hours.


Overcoming anxiety and


artistic insecurity inspired


Sterile. I wanted to translate


that moment of clarity, a


transient instance of “eureka”


through the use of the human


fi gure. The water in this piece


represents a suffocating


thought, a repressive bar-


rier from which one emerges,


valiant and assured. MW


TOP LEFT: Sterile (colored pencil
on bristol paper, 16x20)

Third Place


Oscar Lopez


SUNNYVALE, CALIFORNIA
ARTBYOSCARLOPEZ.COM

I began About To with small


sketches to determine


the composition and then


transferred the drawings to


canvas with charcoal. I did


two underpaintings, the fi rst


with umbers to establish the


light and shadow patterns.


The second underpainting


was red and green—red for


the light side and green for


the shadows. I then worked


on the focal point—the left


eye—and moved from the


light side toward the shadow


side. I worked slowly since


the values were really close


in the light and shadow areas.


This took me about a month


and a half to complete. MW


BOTTOM LEFT: About To (oil on
canvas, 16x20)

68 artistsmagazine.com


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