Billboard - USA (2019-10-19)

(Antfer) #1

and he placed seven songs on the Hot 100 in a


single week, three of them in the top 40.


STAYING ON TOP OF THE WRLD Lil Bibby, 25, a


Chicago rapper in his own right whose hits


include 2016’s “You Ain’t Gang,” says he has


“slowed down” on his own music to focus on


the label’s roster. Older brother G-Money,


26, says the highlight of his year came “when


‘Lucid Dreams’ went to No. 2 on the Hot 100.”


In addition to planning a new album and arena


tour for Juice in 2020, the Dickinsons are


readying their next act, teen Australian rapper


The Kid LAROI. “I find talent on Instagram,”


says Bibby. “Then I like to meet them to see


what kind of people they are.”


Marleny Dominguez-Reyes


SENIOR VP MARKETING, REPUBLIC RECORDS


Tyler Arnold


VP A&R, REPUBLIC RECORDS


POST TIME Post Malone’s pop omnipresence


continues unabated thanks in large part to


Arnold, 27, who signed the tattooed artist


in 2015, and Dominguez- Reyes, who has


since worked closely with the “Better Now”


rapper-singer. In September, Post Malone’s


third studio album, Hollywood’s Bleeding,


debuted at No. 1 on the Billboard 200, moving


489,000 equivalent album units its first week


— the second-biggest overall week of 2019,


after Taylor Swift’s Lover — and had all 17 of


its tracks simultaneously land on the Hot 100.


“It couldn’t have happened to a nicer person,”


says Dominguez- Reyes.


BIG DEBUT FOR LIL TECCA Dominguez- Reyes, 41,


helped catapult newly signed rapper Lil Tecca


from SoundCloud cult favorite to rising star


by working the 17-year-old’s debut mixtape,


We Love You Tecca, to No. 1 on the Top R&B/


Hip-Hop Albums and Top Rap Albums charts


in September. “I don’t remember the last time


I have seen an artist explode the way he has,”


she says.


Bill Evans


SENIOR VP URBAN PROMOTION, CAPITOL MUSIC GROUP


TRANSLATED GIRL CODE INTO HITS Evans heads


Capitol Music Group’s urban promotion de-


partment, overseeing the strategic develop-


ment and execution of all national promotion


initiatives. His team worked singles from City


Girls and Lil Baby — both products of CMG


label Motown’s co-venture with Quality Con-


trol — to the upper reaches of Billboard’s radio


charts: Lil Baby’s “Yes Indeed” (with Drake),


“Drip Too Hard” (with Gunna) and “Close


Friends” all topped the Mainstream R&B/Hip-


Hop chart, while City Girls’ “Twerk” (featuring


Cardi B) went to No. 2. City Girls’ “Act Up”


topped the Rhythmic airplay chart in July.


MAXIMUM EXPOSURE Evans, whose career in


the music business spans over two decades,


says Capitol’s “synergistic radio and streaming


strategy,” gives its artists “the widest audience


possible to showcase how relatable they are.


We don’t view these mediums as competitors,


but as teammates working together toward a


common goal. It has been vital to our success.”


D


uring his 33 years of life,


Nipsey Hussle, the beloved


artist and entrepreneur born


Ermias Asghedom in Los


Angeles’ Crenshaw neigh-


borhood, made it his mission to


stand up for his community. Across


independent mixtapes and a Gram-


my-nominated major-label studio


album, he rapped about where he


came from, telling genuine stories


about its realities and how they


shaped him into a man of integrity.


But Nipsey’s influence went


beyond the traditional. He opened


his Marathon brand clothing store at


the corner of Slauson and Cren-


shaw — an intersection that now


bears his name — and owned the


strip mall around it, with plans to


build housing there. He created a


coworking space called Vector90


in South Central that focused


on teaching STEM skills to the


people he grew up around. He was


involved in an investment fund, Our


Opportunity, that sought to use tax


incentives to further develop com-


munities of color. He dreamed, and


planned, bigger than himself.


Nipsey’s untimely death — he


was shot outside his Marathon store


on March 31 — was mourned by


millions, including JAY-Z, Rihanna


and Barack Obama; his funeral filled


the Staples Center. His life may have


ended, but his mission remains.


Billboard spoke with his business


partners Dave Gross and Steve-O


Carless, who are continuing his


work, about Nipsey’s impact.


What are you most proud to


have accomplished with Nipsey?


DAVE GROSS, CO-FOUNDER, OUR


OPPORTUNITY/VECTOR90 He


dedicated himself to investing


and believing in his own people.


He stayed on Slauson and


Crenshaw and hired from that


neighborhood. I don’t know if


we’ll ever be able to calculate


the direct and indirect impact of


everything Nipsey did.


STEVE-O CARLESS, CO-FOUNDER,


MARATHON AGENCY I’m most proud


of how he did it. He sacrificed


major opportunities just to give


someone like me a space to live


out my fullest value for him, with


the utmost integrity. When he and


I talked, we used a phrase: “We’re


going to tune ourselves to a higher


frequency.” He learned to build


this inner wisdom that allowed


him to project what we got from


him when we saw him or spoke


to him. It’s ingrained in him. It was


something spiritual.


What did people fail to


understand about Nipsey?


GROSS It was hard for institutions of


any stripe to appreciate everything


about him, because he was such


a soulful, genuine person. As an


iconoclast, you don’t typically fit


in institutional boxes. He didn’t do


anything contrived. That soulful-


ness, that genuine authenticity —


those things are hard to scale to an


institutional level.


CARLESS Nipsey was a futurist. He


paid attention to the marketplace


and trends. He wanted to under-


stand the evolution of business.


And he didn’t look at failures as


failures, but as experiences that


taught him.


How did Nipsey make an impact?


GROSS Nip is a symbol of radical


entrepreneurship and ownership.


As much, or more than, anyone


in my lifetime, he inspired black


Americans to focus on coop-


erative economics and owning


our own. He used his platform to


create economic opportunities for


others at the grassroots level. He


met people where they were and


never condescended or patron-


ized. Despite his strength, he led


with communication and love.


And most importantly, he led by


consistent action that reflected ex-


actly what he stood for. I view him


as a giant of our culture, whose


shoulders future leaders in our


community will stand on.


CARLESS It is radical entrepreneur-


ship; the idea of sole control of


your own brand, your own plat-


form and your own legacy. Now


he represents a global idea of love


and self-awareness, an idea that


spans across business, culture,


entertainment, community and,


more importantly, humanity. The


effects of his contributions are just


starting to blossom. Authenticity


and truth of self no matter your or-


igins now are the bold sentiments


of his work. —ROSS SCARANO


IMPACT AWARD HONOREE


NIPSEY HUSSLE WAS ONE OF THE MOST INFLUENTIAL AND FORWARD-THINKING


ARTISTS IN HIP-HOP, BOTH MUSICALLY AND WITHIN HIS COMMUNITY,


UNTIL HIS DEATH AT AGE 33. HERE, HIS BUSINESS PARTNERS HONOR HIS LEGACY


OCTOBER 19, 2019 • WWW.BILLBOARD.COM 49


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