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E.
“I would like to see artists get paid more
from streaming. It’s great that we’ve
evolved to a point where an artist has the
freedom to release music and have full
100% ownership, but we have to figure out
a better pay system for this new stream-
ing wave. The rate per stream should be
better. But unless we have a big push and
a big fight, I can’t see that rate changing in
the near future.”
— CORTEZ BRYANT, THE BLUEPRINT GROUP/YOUNG
MONEY ENTERTAINMENT/MAVERICK
“I hate this category of ‘female rappers.’
If you’re a great hip-hop artist, you’re a
great hip-hop artist. We should do away
with those labels.”
— JOCELYN COOPER, AFROPUNK
“ I want R&B to be signed more. Everybody
sees the value in hip-hop, and so many
great young rappers land deals in this day
and age. I would love for R&B to get the
same attention. I think the genre could
benefit from physical product. R&B fans
would derive a deeper connection from
tangible pieces that accompany and speak
to their appropriate brands, respectively.
You still need a physical component to
engender a long-term connection and
enduring fandom.”
—PHYLICIA FANT, COLUMBIA RECORDS
“The industry needs to recognize the
importance of mentorship and passing the
baton. I think we’re getting into a space
where we realize there’s more than enough
money to go around. So people, including
myself and others like me, are welcoming
the next generation with excitement. We
just need this trend to stay around.”
—KEI HENDERSON, SINCE THE 80s
“I would like to see more women in senior,
decision-making positions, like ASCAP
CEO Elizabeth Matthews. We need more
seats at the table. Women need
to be recognized, highlighted
and celebrated for what they
contribute to the industry.”
— NICOLE GEORGE-MIDDLETON,
ASCAP
MULTISECTOR
Tunde Balogun
PRESIDENT, LOVE RENAISSANCE (LVRN)
Justice Baiden
HEAD OF A&R, LVRN
Sean Famoso McNichol
HEAD OF MARKETING AND BRAND PARTNERSHIPS, LVRN
Carlon Ramong
CREATIVE DIRECTOR, LVRN
Junia Abaidoo
HEAD OF OPERATIONS/HEAD OF TOURING, LVRN
BET ON 6LACK The quintet behind Atlanta-based
management firm and indie label Love Renais-
sance (LVRN) prides itself on signing artists who
operate on the fringes of R&B and rap. “We
understand the frustration that young executives
and artists have with record labels and how
they operate,” says Baiden, 27, who, with his
colleagues, helped 6LACK’s East Atlanta Love
Letter debut at No. 1 on Top R&B Albums — the
rapper’s first chart-topping LP. His single “Pretty
Little Fears” (featuring J. Cole) scored a Grammy
nomination. And rising star Summer Walker land-
ed her first Hot 100 hit with the Drake-assisted
remix of “Girls Need Love,” followed by her first
solo hit on the chart, “Playing Games.”
Nicole Wyskoarko
EXECUTIVE VP URBAN OPERATIONS, INTERSCOPE
GEFFEN A&M
Tim Glover
SENIOR VP A&R, INTERSCOPE GEFFEN A&M
Larry Khan
SENIOR VP URBAN PROMOTION, INTERSCOPE GEFFEN A&M
DRIPPIN’ DISTINCTION Interscope’s joint ventures
have paid off on a number of fronts during the past
year. Mustard’s 10 Summers imprint took home
the best R&B song Grammy for Ella Mai’s “Boo’d
Up,” and Top Dawg Entertainment won best rap
performance for Kendrick Lamar and Jay Rock’s
“King’s Dead.” Khan, 61, and his team worked with
DaBaby, who was signed in partnership with South
Coast Music Group, to drive the North Carolina
MC’s RIAA platinum-certified breakout hit, “Suge,”
to No. 1 on Billboard’s R&B/Hip-Hop Airplay chart
in June and No. 7 on the Hot 100 in July. Glover,
35, meanwhile, A&R’d his first No. 1 album on the
Billboard 200 in July: Dreamville’s compilation LP
Revenge of the Dreamers III.
BULLISH ON DABABY Interscope is confident DaBaby
has plenty more juice in his sippy cup. “ ‘Suge’ has
done amazingly well at radio — just an absolute
monster,” says Wyskoarko, 41, who forecasts that it
will become “the biggest song of the year at urban
radio” by December.
TALKIN’ ’BOUT
AN EVOLUTION
WHAT CHANGE WOULD
YOU LIKE TO SEE IN THE
R&B/HIP-HOP SPACE?
WYSKOARKO
GLOVER
KHAN
BAIDEN
MCNICHOL
RAMONG
ABAIDOO
BALOGUN
BRYANT
BROWN
PEREZ
CARTER
Matthews
“IF I RULED THE WORLD” —
NAS FEATURING LAURYN HILL
“They struck the perfect balance: two iconic
artists, great lyrics with substance, big hook,
impeccable beat. It checks all the boxes.”
—ANTHONY MARTINI, COMMISSION RECORDS
BEST R&B/HIP-HOP COLLABORATIONS
From left: Saweetie, Missy Elliott and Megan Thee Stallion
56 BILLBOARD • OCTOBER 19, 2019
&
POWER PLAYERS 2019