BBC_Earth_UK_-_January_2017

(Nancy Kaufman) #1
Animals and music
Pet sounds

Human music has borrowed liberally from the animal
kingdom over the years, consciously and otherwise: from
cuckoo-impersonating classical composers such as
Beethoven; to the rainforest-sampling jungle music producers
of the ’90s; to today’s dance music programmers, who use
electronic instruments to replicate organically occurring
sounds. Our canon is rich with nature-inspired devices, yet
there’s still so much to learn, says Sawhney.
‘For example, I had no idea of the huge range of pitch whales
can hear across – anything from 10Hz to
24kHz,’ he says. ‘That’s four octaves above
the human range, which is astonishing.
I also didn’t know that chimps feel
uncomfortable around dissonance
[clashing notes] in much the same way
that we do. That blew me away, actually.
Because the second we realise animals
can have the same emotional
response as us, it changes our idea of
what music is, what it can do.’
The programme’s findings indicate
that animals need motivation to interact
with our music. But is there evidence
that animal calls and songs can be a
spontaneous, emotive activity, rather
than the purely practical, biological
imperative that Darwin identified? Not
yet, says Professor Aniruddh Patel, author
of the book Music, Language and the
Brain. But what is clear is that different
animals appear to require equally
different kinds of motivation.
‘Some parrots, like Snowball, will dance enthusiastically


  • if sporadically – to music as long as there are humans
    present, which suggests his motivation is largely social,’ says
    Professor Patel. ‘His dancing doesn’t require any food reward,
    and emerged spontaneously through interactions with
    humans. Other animals, like Ronan the seal, learned
    this behaviour through a long process of formal training
    and will only do it for a food reward.’
    In an age when global habitats and ecosystems are
    increasingly at risk from pollution, deforestation and global
    warming, the study of musical neuroscience in the wild
    promises to serve a holistic, mutually rewarding purpose. And
    as Packham points out: ‘Ultimately, anything that allows us
    to focus on what animals are saying to one another, perhaps
    even saying to us, has to be a wonderful thing.’


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Gorillas make up food songs
while they eat. Ali Vella-Irving
of Toronto zoo says: ‘Each
gorilla has its own voice.
And if it’s their favourite
food, they sing louder.’
Adult male nightingales can
out-sing younger rivals with a
200-strong repertoire of faster
and more complex songs.
Animals like consonance
(harmonious sounds) and
dislike dissonance (clashing
notes) in much the same way
we do – proving we’re more
alike than previously thought.


Did you


know?


City birds have upped the


volume of their songs over the


past few decades to compete


with noise pollution


The City of Birmingham
Symphony orchestra
performed an
animal-friendly piece
for the programme

Words: Charlotte Richardson. Photographs: iStock, Alamy, Quickfire Media.

The Animal Symphony

is available via Sky on demand
Free download pdf