> PHOTOSHOP USER>^ MARCH 2017[ 096 ]
› › COLUMN[ the process ]
Mario Garza
mothandmoon.orgDESIGNER
Later roundsRight away, Garza saw the chance to combine the arrow
concept with a strong, upward-pointing variation on the
A. “The A is very powerful,” says Garza. His first stabs
at the logo included multiple approaches to the letter
abstracted into a strong triangular shape, as well as ideas
based on other geometric forms (see previous page). Later
rounds continued to explore a variety of shapes, but ulti-
mately “one of the ones I did first was the one we ended
up going with,” says Garza.
He also explored color variations, but the Append team
quickly agreed on blue. “That’s when things went into
refinement mode,” says Eaton, addressing such questions
as how the logo would work in a square, as a Facebook
profile picture for instance, and whether the company
name should be a formal part of the logo? The refine-
ments also included a subtle gradient applied to the blue
color and a curve added to the bottom of the shape. The
A is “pointy,” in Garza’s words, and “we wanted some-
thing to smooth it out a little bit and make it friendlier.”
As for the name of the company, Garza modified the
Telegrafico font, designed by Salvo Nicolosi. “Chris really
liked the concept of removing the middle bar of the A,”
he says. “It’s a little cleaner and mimics the big A.” It also
recalls the way the Tesla logo doesn’t have a vertical bar
in the E.
He also saw an opportunity to work with the double
P in Append. He thought of adding an arrow somehow,
but after trying it, decided to settle for an implied arrow.
He took a little notch out of the curve of the P where it
joins the stem, cut at the same angle as the A. “It created
a little bit of movement,” he says.