Photoshop_User_July_2017

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>^ JULY 2017

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› › HOW TO

Step Four: With the black-filled layer
active in the Layers panel, Shift-click the
duplicate background layer so they’re
both selected. Then go under the 3D
menu, to New Mesh from Layer, and
choose Postcard. (If Photoshop asks if
you want to switch to the 3D workspace,
click Yes.) This will convert both layers
into individual 3D layers. The images are
still flat but can be manipulated in 3D
space; however, we need them to be in
the same 3D layer.

Step Five: With the top layer active
in the Layers panel, press Command-E
(PC: Ctrl-E) to merge it with the 3D layer
below. If the 3D panel isn’t already open,
go under the Window menu and choose
3D to open it. Make sure the Properties
panel is visible, as well.
In the 3D panel, you’ll see the indi-
vidual 3D objects (Layer 1 Mesh and
Layer 2 Mesh). You can rename these
3D line items to help better identify the
objects. Just double-click the name to
change it. We renamed Layer 1 Mesh
(the duplicate background layer) to
“Backdrop,” and Layer 2 Mesh (the
black-filled layer) to “Water.” Nested
with each 3D object are the materi-
als. We renamed these as well: Layer 1
became “Backdrop Mat” and Layer 2
became “Water Mat.” Once the layers
are renamed, click on Current View in
the 3D panel.

Step Six: With the Move tool (V)
selected, go up to the Options Bar and
you’ll see the 3D Mode tools to the far
right. Click on the first one, which is the
Orbit the 3D Camera tool. Then click-
and-drag the upper-right corner of the
image in a subtle clockwise move from
3 o’clock to 7 o’clock. This will rotate
the camera angle of the object so you
can see the two layers. (You can watch
this short video on this camera move.)
Now you can see the black-filled layer is
in front of the backdrop layer.
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