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Pilecki instructs released prisoners and escapees alike to share this
intelligence with resistance command in Warsaw. Through them he
sends letters, maps, and diagrams to largely indifferent world leaders,
begging Allied forces to bomb the camp. All the while, Pilecki must
protect his underground—a job entailing everything from comforting
friends and lieutenants to murdering kapos and potential leakers—
while ensuring his own survival. Ulimately, Pilecki does survive—
sucessfully escaping from Auschwitz in 1943, only to be executed by
OCTOBER 2019 71
GONE, NOT
FORGOTTEN
REVIEWS EXHIBITS
AUSCHWITZ PRISONER Ruth Grunberger dreamed she’d
someday have a full head of hair again. So the Jewish teenager
made a talisman: a metal comb crafted from stolen scrap metal
and wire. Grunberger survived the camp, regrew her wavy
locks, and emigrated to America in 1946, comb in tow. Today,
the tiny symbol of survival is one of 700 objects included in
“Auschwitz. Not long ago. Not far away.,” a traveling exhibition at
New York’s Museum of Jewish Heritage through January 3, 2020.
Artifacts range from Auschwitz’s concrete fence posts to
prisoners’ clothing, underscoring the genocide’s vast scope
while also honoring its victims’ humanity.
Soviets as an anticommunist traitor in 1948.
Fairweather’s prose, occasionally workman-
like, still paints vivid scenes bet ween charac-
ters and their grim circumstances. Pilecki
tried to reveal Auschwitz’s true nature to the
world; now, decades later, The Volunteer does
the job for him. —Esther Bergdahl is an editor
and writer in Brooklyn, New York.
While an inmate at Auschwitz, Ruth Grunberger (middle) fashioned a
comb ( bottom)—one of a new exhibit’s smaller artifacts; among the
largest (top), a German railway car that carried Jews to Auschwitz.