NZ Hunter – August 2019

(Ann) #1
to be aware of. First is that the camera
takes time to work its magic on the
image and in each case, that time
will be exactly the same time as your
exposure. For example, if your exposure
is ten minutes long, the camera will take
another ten minutes to complete its
noise reduction process, during which
time the camera is unusable. Second is
that the results of the process vary and
in some cases may even make the noise
worse. The only way to know of course is
to give it a go, comparing the results with
an image that had the long exposure NR
turned off.

Method 2 -


Multiple Shots
A far better method which produces
more pleasing and cleaner images is
to take a series of shorter exposures
and combine them on the computer
later, using one of the many dedicated

star trail programmes such as ‘StarStaX’
or ‘Startrails’. These free and easy-to-use
downloads can be found at the following
website addresses respectively:
https://www.markus-enzweiler.de/
StarStaX/StarStaX.html
http://www.startrails.de/html/
software.html
So, using the static star image
exposure of 30 seconds as a starting
point, take a couple of test shots
experimenting with different settings
to obtain a good clean image with nice
bright stars in the same way as shooting
a normal static star image. Once you’re
happy with the shot, it is a simple case of
repeating that image 50 to 100 times. The
more frames you include, the longer the
trails will be. This is where your remote
release makes things so much easier.
Depending on the model, you will be able
to programme the release to take say fifty
30-second shots consecutively. Above is a
photograph showing the one I use.

From left to right the settings signify
the following:
Delay = time delay before the first shot
is triggered (the highlight bar in this case
signifies it is on the ‘delay’ setting which
has been set at 1 minute).
Long = how long the shutter will stay
open for each shot.
Intvl = time between each shot (usually
only needs to be a couple of seconds


  • much more and you will end up with
    gaps in the trails).
    N (figure in brackets) = number of
    individual frames that will be taken (50 in


Awatere Valley and Mt Tapuaenuku


  • very cool tapered 'comet' trails can
    be achieved in post-production (see
    method two below)
    40 x 30 seconds @ f/2.8, ISO 800


An Awatere Valley image of fifty
30-second frames combined in ‘Startrails’.
As can be seen, I didn’t have the camera at
the optimal 41-degree angle to place the
centre of rotation better in the frame
50 x 30 seconds @ f/2.8, ISO 400

Same view as the opening image in issue 71 but
this time a total of 120-odd images combined to
create a 'rotating' sky.

August / September 2019 ~ NZ HUNTER MAGAZINE 57

to be aware of. First is that the camera
takes time to work its magic on the
image and in each case, that time
will be exactly the same time as your
exposure. For example, if your exposure
is ten minutes long, the camera will take
another ten minutes to complete its
noise reduction process, during which
time the camera is unusable. Second is
that the results of the process vary and
in some cases may even make the noise
worse. The only way to know of course is
to give it a go, comparing the results with
an image that had the long exposure NR
turned off.

Method 2 -


Multiple Shots
A far better method which produces
more pleasing and cleaner images is
to take a series of shorter exposures
and combine them on the computer
later, using one of the many dedicated

star trail programmes such as ‘StarStaX’
or ‘Startrails’. These free and easy-to-use
downloads can be found at the following
website addresses respectively:
https://www.markus-enzweiler.de/
StarStaX/StarStaX.html
http://www.startrails.de/html/
software.html
So, using the static star image
exposure of 30 seconds as a starting
point, take a couple of test shots
experimenting with different settings
to obtain a good clean image with nice
bright stars in the same way as shooting
a normal static star image. Once you’re
happy with the shot, it is a simple case of
repeating that image 50 to 100 times. The
more frames you include, the longer the
trails will be. This is where your remote
release makes things so much easier.
Depending on the model, you will be able
to programme the release to take say fifty
30-second shots consecutively. Above is a
photograph showing the one I use.

From left to right the settings signify
the following:
Delay = time delay before the first shot
is triggered (the highlight bar in this case
signifies it is on the ‘delay’ setting which
has been set at 1 minute).
Long = how long the shutter will stay
open for each shot.
Intvl = time between each shot (usually
only needs to be a couple of seconds


  • much more and you will end up with
    gaps in the trails).
    N (figure in brackets) = number of
    individual frames that will be taken (50 in


Awatere Valley and Mt Tapuaenuku



  • very cool tapered 'comet' trails can
    be achieved in post-production (see
    method two below)


40 x 30 seconds @ f/2.8, ISO 800


An Awatere Valley image of fifty
30-second frames combined in ‘Startrails’.
As can be seen, I didn’t have the camera at
the optimal 41-degree angle to place the
centre of rotation better in the frame
50 x 30 seconds @ f/2.8, ISO 400

Same view as the opening image in issue 71 but
this time a total of 120-odd images combined to
create a 'rotating' sky.

August / September 2019 ~ NZ HUNTER MAGAZINE 57
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