Yoga Journal USA - July-August 2017

74

august 2017

yogajournal.com

CHRIS FANNING; ILLUSTRATIONS: ABIGAIL BIEGERT

It may be tempting, but don’t do this—especially if you’re in a crowded class:

Kicking up into inversions can harm both your practice and those around you

if you topple over. “When you kick into an inversion like Handstand, you’re

using momentum rather than control, whereas you should be focusing on

moving with precision,” says Crow. What’s more, kicking reinforces the notion

that the final posture is more important than the steps it takes to get there. To

build patience and precision when practicing Handstand, Crow recommends

starting with your hands a few feet from the wall and walking your legs up the

wall so your torso and legs make an L shape. When you’re ready, move away

from the wall, and place your hands on the floor. Raise and extend one leg,

then use your standing leg to lightly bounce (not kick) up. This will allow for

more control and muscle engagement, enabling you to work up the strength

to do Handstand in the middle of the room.

This cue creates spinal elonga-

tion—both while you practice

and when you’re off the mat,

says Crandell. To lengthen the

sides of your body in poses

where this can be challeng-

ing—such as in Utthita Parsva-

konasana (Extended Side Angle

Pose) and Vasisthasana (Side

Plank Pose)—imagine you’re

stretching from the tips of your

toes to the crown of your head,

which will lengthen your torso

on either side, says Crandell.

Though this cue can be somewhat controversial

(how micro is the bend, after all?), Amy Ippoliti,

co-founder of 9o Monkeys, an online resource

center for yoga teachers, suggests thinking of it

this way: “You are trying to ever-so-slightly soften

and bend your knee, and at the same time, putting

some effort into straightening your leg,” she says.

This cue is especially relevant for those who have

a tendency to hyperextend (over-straighten) their

knees, which can cause unnecessary wear and tear

over time. “Creating these two opposing actions

in your knee brings balanced strength to all the

intricate muscles of your lower leg,” Ippoliti says.

Maintaining

a “neutral

spine”—or

“the natu-

ral curves of

the spine,” as

many teachers

describe it—is

a cue that’s

universally

embraced.

“It is

important

because it optimally dis-

tributes force among the

intervertebral discs, which

act as shock absorbers,”

says Mazé. When your

spine is out of its natural

alignment, excessive force

can become concentrated

in one area, which can

lead to injuries such as

bulging or ruptured discs.

However, keep in mind

that in some poses (like

forward and backward

bends) you want the spine

to come out of neutral in

order to fl ex and extend.

“In a balanced yoga prac-

tice, you are moving your

spine in every direction,”

says Mazé.

As countless power ballads have told us, the heart

is a complex thing. Crow agrees, explaining that the

cue “open your heart” carries multiple meanings in a

yoga class. On a physical level, it can refer to opening

your chest or lifting your sternum upward. However,

it can also imply that students’ hearts are emotionally

closed off—an implication that can be hurtful. The

consensus? This cue doesn’t resonate with everyone.

Use it (or follow it) only if it feels right to you.

LENGTHEN

THE SIDES OF

YOUR BODY

OPEN YOUR HEART

Neutral

spine

n

O

O

MICROBEND THE KNEE

k

Kick up

into