PHOTOS: KATRINE NALEID; MODEL: AUTUMN ALVAREZ; STYLIST: LYN HEINEKEN; HAIR/MAKEUP: CHRIS M
CDONALD
Marichi, the namesake of this column’s
asana, means “ray of light.” Devout Hindus
revere Marichi as one of the Seven Seers,
the semidivine poet-sages who, at the cre-
ation of the world, first “heard” the eternal
word of Brah man. In its purest form, this
word of divine sound is inaudible to the
human ear, so Marichi and his cohorts trans-
lated it into human language: Sanskrit.
These thousand-some mantras were
collected in Hin duism’s holiest book,
the Rig Veda.
The Rig Veda wasn’t initially a “book.”
Scholars place the inception of the
Ve das as an oral tradition of hymns
somewhere between 1700 BCE and
1400 BCE. They were put into writ ing
between 300 BCE and 200 BCE. Amaz-
ingly, the Rig Veda existed well before
the advent of writing, and so for more
than a millennium the Vedas were
memorized and passed down orally
from one generation of Brahmin
priests to the next. An English transla-
tion of the Rig Veda in my library runs
650 pages of small print, so these
priests performed an impressive feat
of memorization.
good to know
DON’T Twist with pelvis
dropped back.
DO Maintain a long spine.
benefits
contraindications
Massages abdominal organs,
including the liver and kidneys
Stretches the shoulders
Strengthens the back
Tones abdominal muscles
Lower-back or neck injuries
High or low blood pressure
Migraine or insomnia
pelvis. You’ll end up more or less fac-
ing your inner right leg.
You often see pictures, like the
opening one in this column, of the
yogi’s arm pressed against the out-
side of the bent knee. If you are new
to this pose, don’t do this. Most of us
lack the flexibility to do this while
still keeping the spine long. Bringing
your arm to the outside of your knee
forces you to hunch over your bent
leg, which immediately shortens the
spine and not only obstructs the
twist but can strain the lower back.
Instead, wrap your left arm around
your leg, hug it into your torso, and
press your right hand into the floor
just behind you, pushing your torso
up and forward (see figure 1). Pressing
The hymns open a window into a world
that existed at least 3,800 years ago.
They tell us about that world’s geo graphy
and history, its social and family struc-
tures, people’s clothing and adorn ments,
their food and drink, their oc cu pations,
and their entertainments. A popular pas-
time was gambling. This is reflected in a
hymn that most of us can immediately
empathize with. Some times called the
“Lament of the Gambler,” it reminds us
that although we’re separated from the
Vedic people by many centuries, we
aren’t so different from them after all:
“Because of a losing throw of the dice,
I have driven away a devoted wife. My
wife’s mother hates me... The gambler
goes to the meeting hall, asking him-
self, ‘Will I win?’ and trembling with
hope. But the dice cross him... [they]
goad like hooks and prick like whips;
they enslave, deceive, and torment.”
“My wife’s mother hates me!” Sound
familiar? Many hymns speculate about
concerns that are still part of our lives:
the creation and destiny of the world,
death and the afterlife, and the mean-
ing of sacrifice. R. R.
preparations will help you get a feel
for the sensations and actions that
I’m describing.
TAKE IT SLOW
From Dandasana, bend your right
knee and set your heel just in front of
your right sitting bone. Keep your
left leg straight and firm, pressing the
thigh actively down against the floor
and reaching through your left heel
and the base of your big toe. Press
the inner right heel and base of the
big toe firmly against the floor. Imag-
ine now that the left side of your sa-
crum is pressing into your pelvis, and
twist your torso to the right. As you
do so, draw your belly up and in, and
lift your back ribs away from your
82 YOGAJOURNAL.COM YOUR 6-WEEK YOGA GUIDE TO BUILD STRENGTH