Competitor - June 2017

(Sean Pound) #1
31

How did you end up in San diego and
covering endurance SportS?


  • I was living outside Chicago, working with
    emotionally disturbed kids at a residential
    treatment center. My sister was teaching
    school here, and I decided I was tired of
    60 below zero and all that crap, so in 1978
    I came out and got a couple different job
    offers, including running a PE program. The
    program was called Bob Time, and basically
    I’d play with kids. We had no athletic fields,
    just blacktop, but we had a volleyball net
    and a pool. One of the things I did was cre-
    ate a little kids’ triathlon, called Ironkids, in



  1. Then I called up a guy from Running
    News [Editor’s note: it was later changed to
    Running and Triathlon News] and said, ‘I’m
    putting on this thing, why don’t you come
    out and cover it?’ He says, ‘Why don’t you
    write it up?’ I thought, OK, how hard can it
    be? So I wrote it, and he liked it. That led to
    leaving teaching in 1984 and working full-
    time as L.A. editor of that publication. Lois
    Schwartz, who was also a teacher, became
    the art photographer.


How did you go on to create Competitor?


  • Running and Triathlon News was bought
    then immediately put out of business, so we
    were trying to figure out what to do with our
    lives. I talked to other regional-magazine
    publishers around the state, but no one was
    interested in having skinny runners on their
    covers, and they thought triathlon was a
    fad. So some friends called Lois and I into
    a meeting and gave us a check for $17,000
    and said, go start your own magazine. For
    $200 a month we got 200 square feet under
    a guy’s bike racks in a shed in Del Mar. We
    didn’t pay ourselves for a year and a half, just
    lived on our savings and slept on people’s
    floors. But we loved what we were doing.
    We loved the athletes we were meeting.
    We loved telling the stories. The elite ath-
    letes are great, but it’s really the stories of
    perseverance and overcoming that are the
    hallmark of what Competitor is really about.


wHat were tHe early dayS like?


  • Sometimes ignorance is bliss. We had
    no idea that 95 percent of all magazines
    go out of business in the first year. But we
    loved what we were doing—it never felt like
    I had a job. In the early days, we couldn’t
    pay our print bill. So I would drive to L.A.
    to supplement our dollars. This was when
    bodybuilding pants were big. I would buy
    these pants, and we’d get free booths in
    the race expos for Competitor, and I’d sell


the pants then use the dollars from that to
help pay our bills. There were some months
we made more selling pants than from sell-
ing ads. And every once in awhile, a client
couldn’t pay their bill with us so they’d give
us a lot of their product—like sunglasses.
So we’d sell them at the expos too to help
pay our bills.

wHat made Competitor SucceSSful?


  • I’ve always been a firm believer that you can
    rely on social media all you want, but when
    you want to grow something, it’s got to be
    person to person. I prided myself on handing
    out magazines at the races. Our philosophy
    first and foremost was that for us to be suc-
    cessful, events have to be successful. And
    if they’re filling up, then the retailers would
    be busy—and everyone in the sport wins. So
    it was our job to convince race directors to
    put on events all year long, and we would be
    there promoting. Our race-ad prices were
    a third of our regular advertising prices,
    because Lois and I didn’t look at those as ads.


I looked at our editorial like a triangle. The
tip of this triangle are elite athletes. Those
were the stories that a lot of people wanted
to read about: what made them tick. A lot
of the elites started out as age groupers.
And their stories helped motivate our read-
ers, the base of the triangle, to get into the
sport. If those stories could keep our readers
excited and touch the nerve of somebody
who hadn’t done our sport before, and got
new people in, that was huge.

wHat doeS tHe name Competitor mean
to you?


  • When I’d be handing out magazines at
    events, I’d have people come up to me and
    say, ‘That’s not for me, I’m not a competitor.’
    I’d say, ‘What do you mean?’ They’d say, ‘I’m
    not an elite athlete.’ So I said, ‘The word
    “competitor” does not mean elite athlete.
    What time did you get up in the morning?
    What did you come out here to do? You’re
    competing with the course; you’re compet-
    ing with yourself.’ To me, that’s what it’s all
    about: The masses.


wHat’S one tHing tHat SHould never
cHange about Competitor?


  • The Competitor brand has always been
    about changing lives through endurance.
    Even if it’s a color run, people are chang-
    ing perceptions of themselves through that
    achievement. All it takes is to put a number
    on, and you can change everything.


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