Dimensions of Baptism Biblical and Theological Studies

(Michael S) #1

GREEN 'She and her household were baptized' 79


Secondly, throughout this section, 9.32-11.18, the landscape of Luke's


narrative is dotted with references to houses, households, and household


hospitality:^22



  • the saints 'make their homes' (KCXTOiKeco) in Lydda (9.32);

  • Aeneas was 'bedridden' (KaTaKei|ja), presumably homebound
    (9.33);

  • the residents (KOCTOiKeco) of Lydda and Sharon turn to the Lord
    (9.35);

  • Tabitha is laid in an upstairs room (uuepcpov) (9.37), and this
    setting becomes a place of effective prayer (9.40; cf. Lk. 19.46);
    Peter lodges with and enjoys the hospitality (pe vco [cf. Lk. 10.7]

    • £evi£co) of Simon the tanner, whose house (OIKICX) is by the sea
      (9.43; 10.5-6,17-18,32);
      as the narrative unfolds, Peter will pray from the rooftop of this
      house (ave(3r).. .km TO Scopa; 10.9) and extend the hospitality of
      the house (eioKaXeoMai + £evi£co) to Cornelius's ambassadors
      (10.23);
      Cornelius 'feared God with all his household' (OIKOS; 10.2), a
      household that includes, at least, household slaves (oiKeTT}s;
      10.7) and a devout soldier (10.7);
      Cornelius prays in his house (OIKOS; 10.3, 30);
      Cornelius gathers together into his house both 'relatives and
      close friends' (10.24),^23 welcomes Peter and his entourage into
      his home (10.23,25, 27; 11.12), and asserts that God is present
      in his house (10.33);



  • Cornelius and his household invite Peter to stay (STTI pe VCO) with
    them for several days;

  • Upon returning to Jerusalem, Peter is upbraided for entering Cor-
    nelius's home and sharing his hospitality (11.3);


Context of the Canon', in Robert W. Wall and Eugene Lemcio, The New Testament as
Canon: A Reader in Canonical Criticism (JSNTSup, 76; Sheffield: Sheffield Academic
Press, 1992), pp. 129-40.


  1. This is noted in Gaventa, From Darkness to Light, p. 113; Matson, Household
    Conversion Narratives, pp. 102-24: 'The story of Cornelius is striking for the way it
    makes the spatial setting of the house a central component of its plot' (p. 103).

  2. In fact, although the focus is initially on Cornelius, by the end of story Luke has
    employed a wide-angle lens—emphasizing that the Spirit had fallen on 'all who heard
    the word' (10.44) and, indeed, 'on the Gentiles' (10.45; 11.18).

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