A Book of Conquest The Chachnama and Muslim Origins in South Asia

(Chris Devlin) #1

212 NOTES TO PAGES 131-144


Rather, in its depiction of women characters, Chachnama does not gener-
ally follow the conventions of tari'kh or adab literature.


  1. Fathnama, p. 14.
    5. Ibid.

  2. Ibid., p. 15.
    7. Ibid.

  3. Ibid., p. 16.

  4. Ibid., p. 19.
    IO. Ibid., p. 169.
    II. Ibid., p. 170.
    I2. Ibid., p. 173.

  5. Ibid., p. 171.

  6. Ibid., p. 188.

  7. Ibid.
    r6. Uncured leather contracts as it dries and would crush anyone sewn inside it.

  8. Fathnama, p. 188.

  9. Ibid.

  10. Ibid.

  11. Ibid., p. 190.

  12. Accounts from medieval Europe also describe the punishment of immure-
    ment. The early-thirteenth-century writer Der Stricker, writer of Roland's
    song cycles, Arthurian legends, and the comic tales known as the Maren,
    often featured women in clever and witty combative roles with their husbands
    and their towns. One of Stricker's stories is "Die Eingemauerte Frau" (The
    Walled Woman). Though immurement here is a punishment, the woman who
    is constantly rebuking her husband has a religious conversion while entombed
    and is released by the Holy Spirit. The immurement of women (and children)
    in walls is a common motif in other foundation legends, as explicated by
    Alan Dundes in The Walled-Up Wife.-A Casebook (Madison: University of
    Wisconsin Press,-1996).

  13. Fathnama, p. 179.

  14. Ibid., p. 175.

  15. Ibid.

  16. Tabaqat-i Nasiri, p. 535.

  17. Ibid., p. 536.

  18. Ibid., p. 498. In fact, a reading of that account puts Mohammad Bakhtiyar
    Khilji in a much more ethically dubious light than the raja. Bakhtiyar's
    warfare is shown as unethical and devoid of respect for civilians-whether
    Muslim or Hindu-while the raja always acts in the best interests of his
    subjects.

  19. The text shares much in form and content with Chachnama as it attempts
    to create a political theory•for an intertwined elite of the early-fourteenth-
    century Delhi sultanate. See Michael Boris Bednar, "The Content and the
    Form in Amir Khusraw's Duval Rani va Khi~r Khan," fournal of the Royal
    Asiatic Society 24, I (2014), pp. 17-35.

  20. I am reading transgression here, following Michel Foucault, as "an action
    which involves the limit, that narrow zone of a line where it displays the

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