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> PHOTOSHOP USER
>^ OCTOBER 2019
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you’ll see the preview below change; it’s spacing out the
brush over the distance you’ll paint. If you decrease the
Scatter value, you’ll create a more dense impression from
this brush shape. If you do increase the Scatter, which cre-
ates bigger gaps, increasing the Count number will help fill
in any gaps created by the Jitter or Scatter controls.
The result for our example can be seen in the brushstroke
here: This is one stroke, one click-and-drag, to make a spiky
silhouette of what grass looks like. When you’re familiar
with these brushes and the settings available, tailoring the
turned on the Flip X Jitter option near the bottom of the
panel, increased the Minimum Diameter threshold for Size
Jitter (43%), and then adjusted the Angle Jitter (6%) and
Minimum Roundness (57%) options.
The goal is to make a very dense, spiky brush where the
blades are still rising mostly vertically. But that shaping really
depends on the photo you’re masking.
The next set of options will help control the density of
the brush as it’s being applied.
SCATTERING
To help fill in the gaps, click on Scattering in the list on
the left side of the panel. If you increase the Scatter value,
brush should only take about 10 seconds. With all images
that have a textured edge like this, you could quickly mask
out a section using this brush!
PAINTING A BORDER OF GRASS
Now, let’s go back to our Grass image from Adobe Stock.
Make sure the layer is selected and then click the Add Layer
Mask icon (circle in a square) to add a layer mask to the
image layer.
Make sure your layer mask is selected in the Layers panel
(you’ll see white frame corners on it) and fill the mask
with black: Go to Edit>Fill, choose Black from the Con-
tents drop-down menu, and click OK. This will hide the
entire grass image, leaving you with only a transparent
background. Now press D to make your Foreground color
white. This will ensure that anywhere you paint on the mask
will reveal the image that’s hidden behind the black mask.
Check that your custom Grass brush (with all its custom
Jitter settings) is still selected, and set its Opacity (up in the
Options Bar) to 100%. As you paint with white on the Layer
Mask, spiky previews of the grass texture will appear. Make
sure your brush doesn’t look bigger or smaller than the tex-
ture you’re trying to match, meaning that the Grass brush
blades shouldn’t look different in size than the grass blades
in the picture.