http://www.painters-online.co.uk SUMMER 2019 17
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Step 14
Wet the sea area with a damp sponge. Still using the same
stronger grey mix, load a No. 6 Round and begin to paint the hazy
distant water, using wandering, horizontal touches of the side
of the brush. Working wet into wet, add hints of nickel titanate
yellow into the sea near the focal point (the cormorant). This will
create eye-catching greens and prevent the sea looking dull.
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Step 15
Still using the No. 6 brush, wet the inner part of the splash
with clean water then add some subtle touches of the grey
mix (French ultramarine and burnt umber). Add some more
grey into the nearby sea, too, and work up to and over the
textured rocks beneath the cormorant. Allow the area to
dry completely.
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Step 16
Paint the cormorant with the dark
grey mix and the No. 3 Round. Use short
controlled strokes, and leave gaps for
markings and detail then wet the brush
and soften the colour into the light areas.
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Step 18
Paint the other
foreground rocks with
the same colours and
techniques. Use
French ultramarine
to paint the shadowy
mid-tones of the
water draining from
the rocks, applying
the paint with the
No. 3 Round brush
and using the strokes
to indicate the
direction of the
water.
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Step 17
To paint the pre-textured rocks beneath the
cormorant, use a No. 10 Round brush to apply
a dark mix of French ultramarine and burnt
umber. Use a strong but fairly fluid mix to help
it reach the recesses. Add quinacridone sienna
for warmth, and to bring
the area forward.
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Touch in some phthalocyanine blue
for the sheen on the feathers. Allow to
dry then use the No. 1 Rigger to add a
few darker flecks to the back in order
to suggest some feather texture.
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