78 SUMMER 2019 http://www.painters-online.co.uk
‘I am a painter living in the Cornish
fishing village of Newlyn and specialise
primarily in soft pastel seascapes and
landscapes, in both the studio and en
plein airwhen the weather is
accommodating. Promoting this medium
is somewhat of a personal crusade, as I
have written a number of articles for The
Artistmagazine, been featured in various
publications here and in the USA, and
teach and demonstrate soft pastel
painting.
R
ichard Suckling’s joyous painting, Godolphin Summer Beds, captures all the heat
and colour of summer and wins this month’s £50 voucher from Jackson’s. Here he
shares with us his passion for the pastel medium and details of how he set about this
particular painting. If you would like to see more of Richard’s work, post a comment
or upload your own images to our free online gallery, visit http://www.painters-online.co.uk
Online gallery
WWW.PAINTERS-ONLINE.CO.UK
Jane Stroud’sselection of works from our PaintersOnline gallery
Richard SucklingGodolphin Summer Beds, pastel, 19x 191 ⁄ 2 in. (48x49.5cm)
t
WIN £50 TO SPEND
AT JACKSON’S!
Upload images of your own work,
receive valuable feedback, have the
chance to see your work published
in Leisure Painterand win a voucher
to spend on art materials with
Jackson’s by visiting our website at
http://www.painters-online.co.uk/gallery
‘Godolphin Summer Bedsdepicts a view
of early summer flowerbeds in the
garden of the National Trust’s Godolphin
House in Cornwall. The day I visited was
not ideal for sketching outdoors, with
wind and occasional downpours, but the
colours were beautifully vivid in between
the showers and allowed for quick pencil
sketches, photos and notes. The painting
was completed in the studio, using this
information as a starting point, but
endeavouring to keep it free.
‘The composition was softly blocked in
on Sennelier La Carte pastel card, using a
mix of Unison, Sennelier and Girault soft
pastels. This gave me the opportunity to
play with colour and tone, creating an
impression of the scene while keeping it
loose and understated. I blocked in the
darks first, moving to the mid-tones and
finishing with the juicy highlights. It’s
tricky deciding at which point you have
said enough without overworking the
painting, but so satisfying when you get
it right.’
Richard Suckling (Artist) can be followed
on Facebook, Instagram and Twitter. He
is currently represented by the Tyler
Gallery in Mousehole:
http://www.thetylergallery.co.uk
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