InStyle USA - 11.2019

BEAUTY

MARGOT

ROBBIE

For much of the

actress’s Once Upon

a Time in Hollywood

press tour, makeup

artist Pati Dubroff

used a palette of

warm bronze, orange,

and brick tones

to create a ’70s

aesthetic that was

“totally harmonious”

with Robbie’s

free-flowing looks,

like this one from

Jacquemus.

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ZOË KRAVITZ

Considering the graphic cutout

of her sequined Saint Laurent

dress and her pulled-back hair,

“I wanted to keep the makeup

soft but still strong,” says Kravitz’s

makeup artist Nina Park, who

used muted neutrals to

shade the actress’s eyes

and lips. “She looked

otherworldly.”

LAURA HARRIER

Makeup artist Nina Park

sampled “many, many

lipsticks, liners, and pigments”

until she found exactly the

right pink to match the

actress’s fairy-tale Loewe

ball gown.

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MELISSA

MCCARTHY

The white bib on

McCarthy’s ensemble

was the perfect

backdrop for red lips,

says hairstylist

Richard Marin. “Since

the dress was ‘sweet,’

I wanted a contrast to

make the look cooler,

so I went for straight,

full, piecey hair.”

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WINNIE

HARLOW

“The dress was so light and airy,”

says Harlow’s makeup artist

Vincent Oquendo. “I didn’t want to

weigh it down with smoky [eyes].”

A flick of white eyeliner, which

peeked out from under Harlow’s

full bangs, felt “ethereal,” he says.

LUCY BOYNTON

A cheeky beret topped off

the actress’s Chanel dress,

which makeup artist Jo

Baker says “made [the

outfit] feel very feminine

and playful.” She contrib-

uted to the flirty spirit

with blue eye shadow and

candy-apple red lips.

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