Lapidary_Journal_Jewelry_Artist_-_November_-_December_2019

(Tina Meador) #1

22


With tweezers or a fi ne-
tipped brush, pick up each
of these 5 tiny balls and place half
on the gem, half on the top of the
hydrated area. Press gently with
a shaper. Dot each ball with water
to smooth any imperfections, and
make self slip fl ow with gravity
around the edge of the ball.
Tip: Check that the balls are
secure. They are not only decorative
but also help to hold the gem in place.

23


Use a very narrowly pointed
needle to carefully remove
clay on all surfaces of the gem.
Just before fi ring in the fi nal step,
clean the stone with denatured
alcohol.
FOCAL AND
EMBELLISHMENTS
Wet all contact areas. Roll a 2 mm
thick snake and add it to the edge
of the circle in the center. Seat the
centerpiece so it is level and the
gem is upright.
Use your shaper to blend in the
snake under the petals and on the
reverse side. Once dry, fi ll in gaps
with lump clay and create a smooth
transition to the rest of the piece.

You may add a texture on the
reverse to match the outside of the
center using the same technique (see
Photo 13).

24


Add embellishments as
desired, remembering to
follow your stylized theme. Here
balls were added strategically for
aesthetics and additional strength.

25


All is assembled. I also chose
to add a pinch of red felt
fi bers in the center, placing them in
the cup around the stone without
glue or other attachment.

TUBE PIN MOUNT AND
LATCH
Roll a snake of clay 3⁄16" thick by ½"
long. When dry, cut in half: one half
for the pin mount, the other for the
latch.

26


Use a pin vise and drill bit to
open a hole in both tubes.
Allow a healthy amount of room
for your 18g wire to fi t, considering
shrinkage when fi red.

23

26

24

27

22

25

On Reflection
I hope you’ve enjoyed making your
own floral project. Here are some
questions to consider as you think
about your next design.


  1. What set of rules did you set for
    yourself in creating your stylized
    piece?

  2. Embossing copper creates a
    certain quality of line. Can you
    describe the line quality and name
    ways you would use it in other
    embossed projects?

  3. Creating a recipe is a great way to
    come up with your own repeatable
    design. Make a drawing of your
    own and record each step (see
    Texture on Demand, p.tk), and see
    what new designs you can create.

  4. Copper sheet is one material to
    use in creating stylized designs.
    What other materials or methods
    might you use?

  5. Be creative. How else might you
    use the embossed copper sheet
    itself in a mixed media piece? How
    about a torch patina or enamel?

  6. Setting gems in unique ways adds
    pop to a focal point. Take time to
    notice interesting gem settings
    and come up with your own new
    designs.


NOVEMBER/DECEMBER 2019 77
Free download pdf