THE NEW YORKER, NOVEMBER 4, 2019 31
line the walls. The company employs
almost eighty people, including a hap-
piness manager and a feng-shui mas-
ter, and offers Transcendental Medita-
tion classes.
Batiz’s latest venture is the Super-
natural line of cleaning products. The
idea came to her after her mother was
given a diagnosis of myelodysplastic
syndrome, a form of cancer that has
been linked to chemical exposure. Batiz
began thinking about the prevalence
of chemical cleaning products in her
mother’s home. She wanted to start a
company that used all-natural ingre-
dients and glass bottles, and, after ex-
perimenting with blends at home, she
hired “a rogue hippie chemist” to work
with her on concentrates. The Super-
natural Web site features naked peo-
ple frolicking in nature, with a direc-
tive to “save the world’s butt.” Here,
too, Batiz sees products meant to deal
with human detritus as an opportu-
nity for self-care. One user quoted on
the Web site attests that, with Super-
natural, “cleaning has become a ther-
apeutic and sacred experience through
ordinary daily ritual.”
Batiz is currently in the process of
reviving her self-help workshop. She’s
also trying to more effectively inte-
grate her message of transformation
into the Poo-Pourri brand. “We have
the world talking about poop now,”
she said. “But how can we let people
know the emotional aspect of the re-
lease?” In early October, the company
went on tour with a giant inflatable
poop emoji. The vision, Batiz told me,
is about “letting shit go.” Inside the
inflatable structure, visitors encounter
an immersive experience: they are asked
to sit down on a toilet, and are then
surrounded by a three-hundred-and-
sixty-degree video projection in which
they are encouraged to write down,
and flush away, all the “crap you need
to let go of.” “You really have a phys-
ical reaction when you’re in it,” Batiz
said. “It’s, like, literally, not only can
waste—poop—be released, but toxic
thoughts and toxic energies.”
In Batiz’s living room, above the fire-
place, there’s a painting that she com-
missioned from a Kauai-based artist,
Isabel Mariposa Galactica. It’s an image
of a woman surrounded by animals.
“She’s got this leopard on her head and
these two coyotes down below, and then
she has owls,” Batiz said. The coyotes
are a reminder to be aware of tricksters.
The owls are a reminder to use your
wisdom. The butterflies represent free-
dom. Right in the center is a lotus flower.
“In Buddhism, a lotus grows out of
mud,” Batiz continued. “Interestingly
enough, the shit in our lives is what
usually produces the most beautiful
flowers, right? It’s the fertilizer.”
“They all look like ankles.”
••
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