Hired at the artist’s studio days
before his death, one writer
captured a unique snapshot of
“the Sargent of the jet set”,
Andy Warhol
ndy Warhol’s memorial was my rst New
York Society event. I knew the guest list
in advance because I was working at the
Warhol Studio. Hired four days before the
Pop artist died, I became the last person
to be employed during Andy’s reign. His
memorial, held six weeks later, took place at St Patrick’s
Cathedral on April 1, 1987. The New York Times described
the attendees as “glittering” and some of “the world’s most
droppable” names in “art, fashion, society and entertain-
ment”. However, they forgot to mention that many such as
Halston, Debbie Harry, Liza Minnelli, David Hockney and
Roy Lichtenstein had actually posed for one of Warhol’s
iconic portraits. After the service, as everyone poured out
onto Fifth Avenue, I recognised socialites São Schlumberger
and Lynn Wyatt and designer Diane von Furstenberg from
their Warhol portraits. That morning, Schlumberger appeared
buttoned-up and stately—the artist had caught her looking
seductive and relaxed—whereas Wyatt remained an
ever-smiling Texan rose with her signature cloud of blonde
curls, and von Furstenberg summed up dynamic and
determined—both on and o the canvas.
The King ofPop
A
ByNATASHA FRASERCAVASSONI
ALAN DAVIDSON/SHUTTERSTOCK
THROUGH THE LENS
Andy Warhol and Natasha
Fraser-Cavassoni at a
party held in Warhol’s
honour at Regine’s
nightclub, London, in 1980
NOVEMBER 2019 VANITY FAIR ON ART 51
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