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(avery) #1

STEPHEN


SUMMERS


Stephen Summers


INTERVIEW


60

really well. I say the same thing to artists
who complain about the fact that there’s
no funding any more. Well, you don’t
have to do something creative in the
creative sector. You can do something
creative in any sector. It works the other
way around as well. If you’re doing
something science-based, you can do it
in a creative way. I still see a lot of people
doing STEM and science communication
in a very formulaic way – disseminating
information: ‘I’m science, I’m showing
you XXX’ – try and cross over the
different fields.

HACKSPACE Is there anything that you’d
like to get into a show that you’ve not
been able to yet?

SS We’ve been doing Bass In Your Face for
a while, and I’m going to be creating a new
show for next year. There’s two shows
that I’d like to do. One combines music
and maths – I’m a musician (a cellist). I
want to use an electric cello to look at the
links between Bach and techno. There’s
a lot of cross-over there. There’s so many
cross-overs between music and maths,

and the cross-overs can get complicated
quite quickly, and it’s not my strong point.
We’ll be looking at some of the rhythmic
devices that cross over completely
different music genres, like baroque
music to modern electronic music.
The other one will be something like
DJ vs Sound Engineer. My background,
before I did this, was hiring out PA
systems, and I often worked as a sound
engineer, and I used to be a DJ as well, so
I’ve been on both sides of that timeless
war between those two roles. So, it’ll be
looking at what happens to signals, why
speakers blow, what happens when you
overheat amplifiers – signals, square
waves, that kind of thing. Basically, it’s
always the DJ’s fault – that’s what it
comes down to! What kills speakers?
DJs do.

HACKSPACE Is there any message you’d
like to leave our readers with?

SS Take things apart! They probably
already are, your readers. Some of the
best inventors started by taking their
radios apart.

Above
Water and cornflour
combine to make
one of the most
magical materials
Left
Feeling the music
has more than
one meaning
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