The Washington Post - 06.09.2019

(Marcin) #1
PG

THE WASHINGTON POST

.
FRIDAY, SEPTEMBER 6, 2019

but it is dull and boring. (R, 114
minutes, contains violence and
crude language throughout.)

 THE ANGRY BIRDS
MOVIE 2
The animated sequel delivers a
good message: If we put aside our
differences, we might save the
world. (PG, 96 minutes, contains
rude humor, cartoon violence and
SEE MOVIES ON 25

 AMERICAN FACTORY
What happens when a Chinese
billionaire opens a factory in
Dayton, Ohio? This documentary’s
answer might surprise you.
(Unrated, 115 minutes, contains
nothing objectionable. In English
and Mandarin with subtitles.)

 ANGEL HAS FALLEN
Secret Service thriller skewers
contemporary political paranoia,

remake of an Oscar-nominated
2006 Danish film. (PG-13, 112
minutes, contains mature
thematic material and some strong
language.)

 ALADDIN
Disney’s live-action remake
charms, in a clumsy sort of way.
(PG, 128 minutes, contains some
action and peril.)

[NR] 47 METERS DOWN:
UNCAGED
A group of teenage girls is trapped
by sharks in an underwater cave.
(PG-13, 89 minutes, contains
creature-related violence and
terror, some bloody images and
brief rude gestures.)

 AFTER THE WEDDING
The drama is a gender-flipped

Star ratings are from Post


reviews; go to


goingoutguide.com/movies for


the full-length reviews. Movies


not reviewed by The Post are


marked “NR.” For showtimes


and theaters, see the Movie


Directory.


Movies


Also Opening


“Miles Davis: Birth of the


Cool” delivers a lively, compre-


hensive primer on the life and


career of the legendary trumpet


player. Documentarian Stanley


Nelson does a masterful job of


chronicling Davis’s rise from a


young prodigy to one of the most


influential musical figures of the


20th century — as well as one of


the most troubled. He’s enlisted a


terrific cast of on-screen friends


and colleagues to offer their mem-


ories and testimonials, none more


fabulously scene-stealing than


Davis’s late ex-wife, Frances Tay-


lor. (Cicely Tyson declined Nel-


son’s invitation to participate in


the film, which is a shame.)


An entire movie could be made


about Davis’s exquisite collabora-


tion with Bill Evans, which was a


meeting of mismatched personal-


ities that resulted in a spiritual


meeting of souls; but Nelson goes


further to give Davis his due as an


innovator who continued to


search out and break boundaries


even after suffering through ad-


diction and illness. Like all great


cats, Davis had at least nine lives.


Unrated. At AFI Silver. 115 min-


utes.


— Ann Hornaday


In the documentary “Jay My-


self,” we watch as photographer


Jay Maisel prepares to vacate the


six-story, 36,000-square-foot


building in Manhattan that he


bought in 1966 for $102,000 (and


sold in 2014 for $55 million.) The


film, by Maisel’s former intern Ste-


phen Wilkes, documents the act of


divestment — Maisel is something


of a hoarder — a process that the


New York Times says “is fascinat-


ing and looks exhausting.” Unrat-


ed. At Landmark’s West End Cin-


ema. 79 minutes.


“Give Me Liberty” follows the


adventures of the young driver of a


medical transport van as he en-


counters various colorful charac-


ters. While the movie mostly suc-


ceeds, according to Variety, “the


overloaded result feels like an


ultra-low-budget cross between


Martin Scorsese’s ‘Bringing Out


the Dead’ and the Safdie brothers’


‘Good Time,’ minus movie stars or


any of the ingredients that made


those remotely commercial.” Un-


rated. At the Avalon. 110 minutes.


DON HUNSTEIN, SONY MUSIC ARCHIVES/ABRAMORAMA

Stanley Nelson’s “Miles Davis: Birth of the Cool” chronicles the rise
of the music legend — while touching on his addiction and illness.

STEPHEN WILKES/OSCILLOSCOPE LABORATORIES

In “Jay Myself,” documentary filmmaker Stephen Wilkes follows photographer Jay Maisel, above, as he prepares to vacate the six-story,
36,000-square-foot building in Manhattan that he bought in 1966 for $102,000 and sold in 2014 for $55 million.

MUSIC BOX FILMS

From left, Lauren “Lolo” Spencer, Steve Wolski and Chris Galust
star in “Give Me Liberty.”

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