Writing Great Fiction

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Lecture 12: Structuring a Narrative without a Plot


z There are only a few conventionally dramatic moments in Mrs.
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Except for the death of Septimus, it’s a fairly unremarkable day.

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the end, what gives the book its structure? Instead of using a plot to
structure the novel, Woolf uses two techniques, one of which governs
the overall shape of the novel, and the other, its movement within and
between scenes.
o The overall shape comes from the fact that the novel is set over
the course of one day, which allows Woolf to limit the number
of incidents in the book and the scope of the characters.

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to moment is stream of consciousness. As you recall, when we
read the passage in which Clarissa looks in a shop window, her
thoughts shifted quickly and subtly from the world around her
to her memories of girlhood, the last days of her uncle, and
her relationship with her daughter. Each brief moment in that
passage tells us something about Clarissa that we didn’t know
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z Perhaps the most remarkable feature of 0UV'DOORZD\ is the way
Wo o l f e ff o r t l e s s l y, o f t e n s u d d e n l y, s h i f t s t h e n a r r a t i v e ’s p o i n t o f v i e w
among a number of characters. These shifts also provide the sort of
narrative momentum that other, more conventional books rely on
plot to provide. They enable Woolf to evoke a particular moment
in time and in the lives of her characters far more vividly than in a
conventionally plotted narrative.

Postmodernist Techniques
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techniques we’ve explored are not for everyone; most writers fall back
on plot because it’s easy and it’s what most readers expect and enjoy. But
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